Before the Devil Knows You're Dead

• Title: BEFORE THE DEVIL KNOWS YOU'RE DEADXX
  
• Publisher: IMAGE ENT. / Genre: DRAMA / Theme: PSYCHOLOGICAL DRAMA / Rating: R
• Product Type: VIDEO /
• Platform: DVD MOVIE

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National Broadcast, Print and Online campaignMaster filmmaker Sidney Lumet directs this absorbing suspense thriller about a family facing the worst enemy of all itself. Oscar®-winner Philip Seymour Hoffman plays Andy, an overextended broker who lures his younger brother, Hank (Ethan Hawke) into a larcenous scheme: the pair will rob a suburban mom-and-pop jewelry store that appears to be the quintessential easy target. The problem is, the store owners are Andy and Hank s actual mom and pop and, when the seemingly perfect crime goes awry, the damage lands right at their doorstep. Oscar-winner Marisa Tomei plays Andy s trophy wife, who is having a clandestine affair with Hank. The stellar cast also includes Albert Finney as the family patriarch who pursues justice at all costs, completely unaware that the culprits he is hunting are his own sons. A class! y, classic heist-gone-wrong drama in the tradition of The Kill! ing and Lumet s own The Anderson Tapes, BEFORE THE DEVIL KNOW YOU RE DEAD is smart enough to know that we often have the most to fear from those who are near and dear.Sidney Lumet’s Before the Devil Knows You’re Dead is an exceptionally dark story about a crime gone wrong and the complicated reasons behind it. Philip Seymour Hoffman and Ethan Hawke are outstanding as brothers whose mutual love-hate relationship subtly colors their agreement to rob their own parents’ jewelry store, and more explicitly affects the anxious aftermath of their villainy when their mother (Rosemary Harris) ends up shot. Hoffman’s steely, emotionally locked-up Andy, despite pulling down six figures as a corporate executive, is supporting an expensive drug habit while trying to leave the country with his depressed wife, Gina (Marisa Tomei). Hank (Hawke), a whipped dog of low intelligence, owes back alimony and child support to his ex-spouse. Both men need money and agree to rip off their paren! ts' business, a decision that goes awry and puts both men in various kinds of jeopardy while their mother remains comatose and their father (Albert Finney) lurches along trying to make sense of anything. Writer Kelly Masterson's screenplay employs a perhaps now-overly-familiar time-shifting tactic, jumping around the chronology of the story's events and replaying scenes from different vantage points. The effect is a little tedious but successfully deconstructs the film's drama in a way that shows how such terrible events are directly linked to family dysfunction, old wounds between parent and child, between siblings, that fester into full-blown tragedy. Eighty-three-year-old director Lumet (Serpico) employs bleached colors and scenes of blunt sexuality and violence, adding to the moral rudderlessness and banality of this airless world. If Devil feels a little reductive and insistently grim, it is also a generally persuasive work by an old master. --Tom Keog! h

The conduct of a married life. Laid down in a series of letters, written by the Honourable Juliana-Susannah Seymour, to a young lady, her relation, lately married.

• ISBN13: 9781140918516
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

After her family relocates to the small country town of Lewisberg, Tennessee, Hilary Thompson, who has lived and thrived in the city the entire thirteen years of her life, feels as if her world has stopped turning. When she begins working at the local stables owned by Susan Collins, she meets Satan, a wild mustang stallion who belongs to Susan s rebellious son, Jeremy. Satan seems as lonely and out-of-place in his new surroundings as Hilary is in hers. When Jeremy fails to tame Satan, and his mother threatens to sell the horse, Hilary resolves to tame him. But can a girl who knows nothing about horses gain the trust of an aggressive mustang? And will she be able to keep her efforts a secret? Encouraged! by a new friendship and suffering the aggravation of a new rival, Hilary spends increasingly more time with the stallion. As her affection for the mustang grows, she learns about horses, people, and the greatest lesson of all, unconditional love.The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmer! s, businessmen and bankers, artisans and merchants, artists an! d their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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British Library

T119297

Juliana-Susannah Seymour = John Hill. Nine leaves signed *H1-9 have been inserted; text is continuous.

London : printed for R. Baldwin, 1753. vi,1-144,145*-162*,145-257,[1]p. ; 12°