Conversation(s) With Other Women

• There Are Two Sides To Every Love Story At a New York City wedding reception, two guests (Helena Bonham Carter and Aaron Eckhart), seemingly strangers, become entangled in a sexually-charged battle of wits. As the night carries on, the nameless couple's repartee deepens to reveal the passion of their past love affair. Unfolding entirely in split-screen, director Hans Canosa's feature de

At a New York City wedding reception, two guests, seemingly strangers, become entangled in a sexually-charged battle of wits. But as the night carries on in a cigarette smoke haze, the nameless couple's repartee deepens to reveal the passion of their two decades past love affair. Unfolding entirely in split-screen, director Hans Canosa's feature debut is an unconventional and poignant love story.

Green Street Hooligans

• A wrongfully expelled Harvard undergrad moves to London, where he is introduced to the violent underworld of soccer hooliganism.Running Time: 108 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 012569760295 UPC: 012569760295 Manufacturer No: 76029

A wrongfully expelled Harvard undergrad moves to London, where he is introduced to the violent underworld of soccer hooliganism.

DVD Features:
Documentary:The Making of Hooligans
Music Video:"One Blood" Music Video by Terence Jay

After the Lord of the Rings trilogy, Elijah Wood could've opted for further big budget epics, but took a sharp left turn with this better-than-average B-movie. Released just after Everything is Illuminated, another offbeat entry, Wood plays journalism student Matt Buckner. In the prologue, he's expelled from Harvard when his over-privileged roommate sets ! him up to take the fall for his own misdeeds. With nowhere to go, Matt decides to visit his sister, Shannon (Claire Forlani), in London. He's already got a chip on his shoulder when he falls under the sway of Shannon's brother-in-law, Pete (Charlie Hunnam), head of West Ham's football "firm," the Green Street Elite. Matt soon gets caught up in their thuggish anticsâ€"to tragic effect. In her feature debut, German-born Lexi Alexander makes a mostly convincing case for the attractions of violence to the emotionally vulnerable, as opposed to the emotionally numb pugilists of the more satirical Fight Club. Unlike David Fincher (by way of Chuck Palahniuk), she plays it straight, except for the stylized fight sequences. Consequently, humor is in short supply, but the young Brit cast, especially Leo Gregory as the surly Bovver, is charismatic and Wood makes his character as believable as possible, i.e. he may seem miscast, but that's the point. Although there's no (direct) ! correlation between the two, Green Street makes a fine ! taster f or Bill Buford's Among the Thugs, the ultimate dissection of the hooligan mentality. --Kathleen C. Fennessy

American History X

• Edward Norton's Academy Award nominated role as a White Supremist who sees the error of his ways while jailed for murder. Unfortunately, he leaves prison to find his brother (Edward Furlong) heading down the same path.Running Time: 119 min. System Requirements: Directed by Tony Kaye Writing credits David McKenna Cast overview, first billed only: Edward Norton, Edward Furlong, Beverly D Angelo,

Edward Norton's Academy Award nominated role as a White Supremist who sees the error of his ways while jailed for murder. Unfortunately, he leaves prison to find his brother (Edward Furlong) heading down the same path.

DVD Features:
Biographies
Deleted Scenes
Filmographies
Interactive Menus
Production Notes
Scene Access
Theatrical Trailer

Perhaps the highest compliment you can pay to Edward Norton is that his Oscar-nom! inated performance in American History X nearly convinces you that there is a shred of logic in the tenets of white supremacy. If that statement doesn't horrify you, it should; Norton is so fully immersed in his role as a neo-Nazi skinhead that his character's eloquent defense of racism is disturbingly persuasive--at least on the surface. Looking lean and mean with a swastika tattoo and a mind full of hate, Derek Vinyard (Norton) has inherited racism from his father, and that learning has been intensified through his service to Cameron (Stacy Keach), a grown-up thug playing tyrant and teacher to a growing band of disenfranchised teens from Venice Beach, California, all hungry for an ideology that fuels their brooding alienation.

The film's basic message--that hate is learned and can be unlearned--is expressed through Derek's kid brother, Danny (Edward Furlong), whose sibling hero-worship increases after Derek is imprisoned (or, in Danny's mind, martyred) for the! killing of two black men. Lacking Derek's gift of rebel rheto! ric, Dan ny is easily swayed into the violent, hateful lifestyle that Derek disowns during his thoughtful time in prison. Once released, Derek struggles to save his brother from a violent fate, and American History X partially suffers from a mix of intense emotions, awkward sentiment, and predictably inevitable plotting. And yet British director Tony Kaye (who would later protest against Norton's creative intervention during post-production) manages to juggle these qualities--and a compelling clash of visual styles--to considerable effect. No matter how strained their collaboration may have been, both Kaye and Norton can be proud to have created a film that addresses the issue of racism with dramatically forceful impact. --Jeff Shannon

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When 15-year-old Owen (Alex Linz) meets Congressman Lawrence Connor (Steven Weber) at his middle-school graduation, the bookish, friendless boy is flattered to be offered a junior position with Connor`s senatorial campaign. Owen befriends the congressman`s young nephew, Caleb, and as his involvement in the campaign grows, Owen`s innocence is shattered as he discovers the dark underbelly of politics, where business and politics share more than financial interests, and idealism and innocence rarely go unpunished.

Are you a frustrated parent trying to bring up an adolescent?
Are you a frustrated adolescent trying to bring up your parent?

When Shit Happens!!! Learn how to move through the limiting thoughts and into your ! own power with the intent to prosper.
Take control of your life. You are the key to unlocking your creative free will. Take command of the only thing you can, in an uncertain world, YOU.

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Quit the struggle

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Find your self choosing to create your own reality

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     Sink
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"Are you a frustrated parent trying to bring up an adolescent?Are you a frustrated adolescent trying to bring up your parent?
When Shit Happens!!! Learn how to move through the limiting thoughts and into your own power with the intent to ! prosper. Take control of your life. You are the key to unlocki! ng your creative free will. Take command of the only thing you can, in an uncertain world, YOU.
Now is your chance to help create your own world.
Quit the struggle
Understand the reason why shit happens
Find your self choosing to create your own reality
Can you feel that the structures of the old society are being rocked!! There are real changes in how we see ourselves fitting into the new world. Now is the time to embrace the changes and choose your future!
Change is inevitable you can choose to This     Sink Or that     Swim"
"Are you a frustrated parent trying to bring up an adolescent?Are you a frustrated adolescent trying to bring up your parent?
When Shit Happens!!! Learn how to move through the limiting thoughts and into your own power with the intent to prosper. Take control of your life. You are the key to unlocking your creative free will. Take command of the only thing you can, in an uncertain world, YOU.
Now is your chance! to help create your own world.
Quit the struggle
Understand the reason why shit happens
Find your self choosing to create your own reality
Can you feel that the structures of the old society are being rocked!! There are real changes in how we see ourselves fitting into the new world. Now is the time to embrace the changes and choose your future!
Change is inevitable you can choose to This     Sink Or that     Swim"
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How the Garcia Girls Spent Their Summer

• In the summer heat of a small Arizona border town, sparks start to fly for three Garcia girls. America Ferrera (Ugly Betty) plays 17-year-old Blanca, who discovers romance, love, and lust for the first time with the new bad boy in town. Her divorced mother Lolita (Elizabeth Pe a, Rush Hour), seems to have hit a dry spell until the husband of one of her customers pays a visit. Meanwhile, Blanca s g

As sweltering summer and romantic drought stretches over a sun-bleached Arizona border town, the Garcia Girls lovingly explore the terrain of longing, desire, and self-realization among three generations of women in a Mexican American family.

Glass: A Portrait of Philip in Twelve Parts

• When notable narrative director Scott Hicks (SHINE, SNOW FALLING ON CEDARS) picked up an HD camera to shoot some footage of celebrated composer Philip Glass, he had no intention of turning it into a feature-length documentary. Yet after capturing so much insightful footage and realizing that Glass and his family and friends were up to the task, that is exactly what happened. With GLASS: A PORTRAIT

As seen on PBS American Masters

For 18 months Oscar-nominated and Emmy Award-winning director Scott Hicks (Shine) followed the legendary Philip Glass (The Hours, Notes on a Scandal) across three continents, creating a remarkable portrait of this brilliant composer. Allowed unprecedented access to Glass’ working process and collaborators (including Martin Scorsese and Errol Morris), Hicks presents a unique glimpse into the life of one of the greatest artists of this or any e! ra.

INCLUDES OVER 3 HOURS OF EXCLUSIVE EXTRAS:
Bonus Performances (“Dracula”, “Metamorphosis”, “Orion”, “Einstein on the Beach”)
Additional Interview Footage with Philip Glass, Deleted/Extended Scenes
Commentary Track by Director Scott Hicks
Plus Booklet with Production Notes

Bad Boys [Blu-ray]

• Condition: New
• Format: Blu-ray
• Color; Dubbed; Subtitled; Widescreen

Studio: Sony Pictures Home Ent Release Date: 12/29/2009Bad Boys
Slick to a fault, this glossy action flick takes place in sunny Florida, where Martin Lawrence and Will Smith play two cops--one married with kids, the other a swinging bachelor. The two are forced to trade places to foil criminal mastermind Fouchet (Tchéky Karyo) who has stolen $100 million worth of heroin from a police lockup. Violent, illogical, and filled with wall-to-wall profanity, Bad Boys was the last film produced by the hit-making team of Don Simpson and Jerry Bruckheimer before Simpson's untimely death, and marked the directorial debut of Michael Bay who followed up with The Rock. Bad Boys will be of interest to action buffs and fans of Téa Leoni, who makes one of her early screen appearances ! in the central supporting role. --Jeff Shannon

Bad Boys II
No one goes to a movie directed by Michael Bay for delicacy and grace; you go because Michael Bay (Armageddon, The Rock) knows how to make your bones rattle during a high-speed chase when a car flips over, spins through the air, and smacks another car with a visceral crunch. Bad Boys II fulfills this expectation and then some. Will Smith and Martin Lawrence may be mere puppets amid all this burning rubber and shrieking metal, but they actually provide a human core to the endless cascade of car wrecks and gunfights. Their easy rapport makes their personal problems--a running joke is Lawrence's attempts at anger management--as engaging as the sheer visual hullabaloo of bullets and explosions. The plot is recycled nonsense about drug lords and dead bodies being used to smuggle drugs, but orchestration of violence is symphonic. If that's your thing, then this is for! you. --Bret FetzerMiami cops Marcus Burnett, a family ! man and Mike Lowry, a ladies' man are given 72 hours to regain drugs stolen from their police station; matters are complicated when they have to pretend to be each other.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 27-MAY-2003
Media Type: DVDA cheerfully over-the-top action film, Bad Boys is notable chiefly for the rapport between its two stars, Will Smith and Martin Lawrence, as two Miami cops on the trail of a drug kingpin as they try to protect a witness (Tea Leoni). Smith is the swinging bachelor and Lawrence the family man, and both must juggle their personal lives as they baby-sit the one chance they have to recover a stolen drug shipment, save their jobs, and take down the drug dealer. While the film is almost always implausible and its story is something seen many times before, director Michael Bay (The Rock) keeps things moving stylishly and at a feverish pace, as Smith and Lawrence prove themselves a te! rrific comic pairing. Their odd couple banter flies at a faster clip than the bullets and explosions, and becomes the best reason to see this hyperbolic but entertaining action flick. --Robert Lane BAD BOYS - DVD MovieSean Penn delivered a star-making one-two punch in the early '80s, debuting as stoner Jeff Spicoli in Fast Times at Ridgemont High and turning up only a few months later, all but unrecognizable, as a steel-nerved teenage convict in this raw, powerful prison drama--and both performances hold up remarkably well. While the story line of Bad Boys has the familiar contours of classic jailhouse melodrama (Penn's fearless Mick stands tall against a bullying Latino gang boss played by Esai Morales), the sense of tightly wound raw force the actor conveys is so convincing that it's actually a little scary. It goes way beyond the blunt-force impact of a standard action star; Mick's acts of violence are expressions of personality, practically eruption! s of his life force. The authenticity of this portrayal is rei! nforced by the closely observed production design: the youth-prison set is so cunningly textured that many moviegoers took it for the real thing. Ally Sheedy also made her film debut in Bad Boys, as the girl Mick leaves behind on the outside. --David Chute From director Michael Bay (The Rock, Armageddon) and the production team of Don Simpson and Jerry Bruckheimer (Beverly Hills Cop, Top Gun) comes a thrill ride of explosive action from beginning to end. Will Smith and Martin Lawrence team up as partners in crime, crime-fighting that is, in this action-packed flick about a couple of good guys who are real Bad Boys One hundred million dollars worth of confiscated heroin has just been jacked from police custody. Once the career bust of Detective Mike Lowery (Will Smith) and Marcus Burnett (Martin Lawrence), the missing drugs now threaten to shutdown the narcotics division of the Miami Police Department. When the drug investigation turns! deadly, the murderers kidnap the only witness, a beautful police informant (Tea Leoni) and close friend of the boys, which makes things get personal! Fast cars, a gorgeous woman and non-stop action make Bad Boys a guaranteed good time!A cheerfully over-the-top action film, Bad Boys is notable chiefly for the rapport between its two stars, Will Smith and Martin Lawrence, as two Miami cops on the trail of a drug kingpin as they try to protect a witness (Tea Leoni). Smith is the swinging bachelor and Lawrence the family man, and both must juggle their personal lives as they baby-sit the one chance they have to recover a stolen drug shipment, save their jobs, and take down the drug dealer. While the film is almost always implausible and its story is something seen many times before, director Michael Bay (The Rock) keeps things moving stylishly and at a feverish pace, as Smith and Lawrence prove themselves a terrific comic pairing. Their odd couple banter f! lies at a faster clip than the bullets and explosions, and bec! omes the best reason to see this hyperbolic but entertaining action flick. --Robert Lane

Capturing the Friedmans

• Winner of the Grand Jury Prize at the 2003 Sundance Film Festival, and with over $3 million at the box office to date, Capturing The Friedmans is nothing short of the most riveting, provocative, and hotly debated films of the year. Despite their predilection for hamming it up in front of home-movie cameras, the Friedmans were a normal middle-class family living in the affluent New York suburb of G

Winner of the Grand Jury Prize at the 2003 Sundance Film Festival, and with over $3 million at the box office to date, Capturing The Friedmans is nothing short of the most riveting, provocative, and hotly debated films of the year. Despite their predilection for hamming it up in front of home-movie cameras, the Friedmans were a normal middle-class family living in the affluent New York suburb of Great Neck. One Thanksgiving, as the family gathers at home for a quiet holiday dinner, their front door ! explodes, splintered by a police battering ram. Officers rush into the house, accusing Arnold Friedman and his youngest son Jesse of hundreds of shocking crimes. The film follows their story from the public?s perspective and through unique real footage of the family in crisis, shot inside the Friedman house. As the police investigate, and the community reacts, the fabric of the family begins to disintegrate, revealing provocative questions about truth, justice, family, and -ultimately-truth. With an abundance of exclusive DVD bonus features supplied on a second disc, Capturing the Friedmans is sure to capture you and pin you to your seat.A Sundance Grand Jury prize winner and a true conversation starter, Capturing the Friedmans travels into one apparently ordinary Long Island family's heart of darkness. Arnold and Elaine Friedman had a normal life with their three sons until Arnold was arrested on multiple (and increasingly lurid) charges of child abuse. Becaus! e the Friedmans had documented their own lives with copious ho! me movie s, filmmaker Andrew Jarecki is able to sift through their material looking for clues. Yet what emerges is more surreal than fiction: the youngest Friedman son went to jail, the eldest became a birthday-party clown. In the end, we can't be sure whether Arnold Friedman is a monstrous child molester or the victim of railroading. The portrait of a disconnected family is deeply disturbing, either way, and this film is further proof that a documentary can be just as spellbinding as anything a great storyteller dreams up. --Robert Horton