The Brave One (Widescreen Edition)

• ?Why don?t they stop me?? Erica Bain wonders. Bain, a popular N.Y radio host, watched her fianc? die and nearly lost her own life to a vicious, random attack. Now she discovers a stranger within herself, an armed wanderer in the urban night, out for vengeance and at war with her own soul. Two-time Academy Award winner Jodie Foster, as Erica, joins Oscar nominee Terrence Howard, as a determined cop

"The name's Cougar. Just Cougar. One name is enough."

Behind the bravado was a complex man. War hero. "Indian cowboy." Walking wounded in search of answers. Cougar needed to build a new life, and he'd start with what he loved most. Horses. Which brought him to the Double D Wild Horse Sanctuary. And into the orbit of ranch volunteer Celia Banyon and her very special son.

The boy had suffered an unspeakable accident, and his mother felt unspeakable guilt. But something about Cougar brought ! her back from the brink. He represented her chance to be a woman again. Now, suddenly, one name wasn't enough for what they could have if they'd just let themselves. Healing. Love. Family. Forever. In fact, the possibilities were endless…."The name's Cougar. Just Cougar. One name is enough."

Behind the bravado was a complex man. War hero. "Indian cowboy." Walking wounded in search of answers. Cougar needed to build a new life, and he'd start with what he loved most. Horses. Which brought him to the Double D Wild Horse Sanctuary. And into the orbit of ranch volunteer Celia Banyon and her very special son.

The boy had suffered an unspeakable accident, and his mother felt unspeakable guilt. But something about Cougar brought her back from the brink. He represented her chance to be a woman again. Now, suddenly, one name wasn't enough for what they could have if they'd just let themselves. Healing. Love. Family. Forever. In fact, the possibilities were endless…."The name's Cougar. Just Cougar. One name is enough."

B! ehind th e bravado was a complex man. War hero. "Indian cowboy." Walking wounded in search of answers. Cougar needed to build a new life, and he'd start with what he loved most. Horses. Which brought him to the Double D Wild Horse Sanctuary. And into the orbit of ranch volunteer Celia Banyon and her very special son.

The boy had suffered an unspeakable accident, and his mother felt unspeakable guilt. But something about Cougar brought her back from the brink. He represented her chance to be a woman again. Now, suddenly, one name wasn't enough for what they could have if they'd just let themselves. Healing. Love. Family. Forever. In fact, the possibilities were endless….This family favorite, a south-of-the-border variation of the classic boy-and-his dog story, stars Michel Ray as Leonardo, a young Mexican boy who appeals to the president of Mexico to spare his beloved bull from death in the bullfighting ring. Does the bull meet a grisly fate at the hands of a sombrero-topped matad! or? We're not telling, but charming performances and some gentle tear jerking make The Brave One an agreeable movie for kids. The film is also known for an interesting footnote of Hollywood history: When it won the Academy Award in the now-defunct category of best original story, screenwriter Dalton Trumbo (using the pseudonym "Robert Rich") was unable to accept the Oscar due to the infamous Hollywood blacklist. He officially claimed the award in 1975. --Jeff Shannon "Why don‘t they stop me?" Erica Bain wonders. Bain, a popular N.Y radio host, watched her fiancé die and nearly lost her own life to a vicious, random attack. Now she discovers a stranger within herself, an armed wanderer in the urban night, out for vengeance and at war with her own soul. Two-time Academy Award winner Jodie Foster, as Erica, joins Oscar nominee Terrence Howard, as a determined cop hot on her trail. Erica?s future is uncertain, but one thing is not: THE BRAVE ONE is a high- tens! ion thriller that packs a visceral and emotional punch.Neil Jo! rdan's s omber The Brave One is a lot of things. A reflective movie about a crime victim's sense of dislocation and isolation from her own life following a harrowing trauma, the film will strike a chord with a lot of people who have known violence. The Brave One is also a provocative drama about the nature of justice, a theme explored endlessly in American movies that typically find law enforcement wanting. In Jordan's film, however, the conflict between instinctive vigilantism and legal protocols is approached with more deliberateness and complexity than usual. Finally, despite its seriousness of purpose, The Brave One, to a certain extent, is drearily tethered to the old atrocity-and-revenge genre, bumping along to the familiar, Death Wish-like rhythms of an avenger seeking successive conflicts with bad guys he or she can blow away.

Somewhat at cross-purposes, The Brave One stars Jodie Foster in a shattering performance as Erica Bain, a popula! r essayist on a public radio station in New York. In love and engaged to David (Naveen Andrews), a doctor, Erica and her fiancé are brutally attacked one night by a gang of thugs. David is killed but Erica survives, only to find herself a stranger in her own skin, facing down her fears by shooting violent criminals.

With the city riveted by her anonymous actions, Erica becomes an object of curiosity for a police detective (an excellent Terrence Howard) disillusioned by his own struggles to protect the innocent from truly evil men. Jordan's previous films (The Crying Game, Breakfast on Pluto) resonate with The Brave One's most interesting angle, i.e., that each of us possesses a hidden element in our identities that comes out in extreme circumstances, making us wonder who we really are. It's all excellent food for thought, but the film squanders much of its significance by thrusting Erica into numerous, outlandish situations in which her only altern! ative is to put a bullet in a bad guy. The result is a smart f! ilm tedi ously structured like a disposable B movie. --Tom Keogh

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Friday Night Lights: The Fourth Season

• Condition: New
• Format: DVD
• AC-3; Box set; Color; Dolby; DVD; Subtitled; Widescreen; NTSC

Studio: Uni Dist Corp. (mca) Release Date: 10/04/2011For four years, the residents and students of Dillon, Texas, have faced difficult choices on and off the field with courage, passion and perseverance. Now the time has come to find closure for problems of the past while pursuing new possibilities that will lead many beyond Dillon city limits. But, will everyone be up to the challenge?Saying goodbye to Dillon, Texas, won't be easy for those who've been with Friday Night Lights from the start--especially those who read the book or saw the movie. Over five years on NBC, students graduated, the high school changed (from West to East Dillon), and Eric and Tami Taylor (Kyle Chandler and Connie Britton) and Buddy Garrity (Brad Leland) remained constants, sometimes making mistakes, but a! lways trying to do right by their kids--biological and otherwise. And few shows offered more believable relationships, from Coach and Tami to Luke (Matt Lauria) and Becky (Madison Burge), who rekindle their romance in the final season.

If the fourth year marked the end of an era, the fifth revolves around new beginnings: Tami returns to her role as guidance counselor (after a controversial reign as principal), Buddy takes his wayward son under his wing, Julie (Aimee Teegarden) has a rough start at college, Billy (Derek Phillips) becomes assistant football coach, Becky moves in with him and his wife, and quarterback Vince (Michael B. Jordan), who continues to see Jess (Jurnee Smollett), tangles with his recently paroled father, Ornette (Cress Williams). Naturally, there are a few new arrivals, but they don't make the same impact as returning Dillon veterans Landry (Jesse Plemons), Jason (Scott Porter), Matt (Zach Gilford), Tyra (Adrianne Palicki), and Billy's younger brot! her, Tim (Taylor Kitsch), whose adjustment to life after priso! n parall els Ornette's experience.

This 13-episode arc traces the road to the state championships and marks the end of one of television's most emotionally involving shows, always operating on the principle that everyone can change, and that there's still room on network TV for semi-improvised, documentary-style filmmaking. Deleted scenes, commentary tracks, and a featurette offer a comprehensive look back at a stellar series, truly one of the medium's very best. --Kathleen C. FennessyTV's hottest new drama, Friday Night Lights, touches down on DVD with all 22 Season One episodes in a 5-disc collection! In the small town of Dillon, everyone comes together on Friday nights when the Dillon High Panthers play. But life is not a game; and the charismatic players, new coach Eric Taylor (Kyle Chandler), and the passionate fans find that their biggest challenges and obstacles come off the field in the compelling day-to-day dramas of their tight-knit community. From producer! s Brian Grazer (The Da Vinci Code) and Peter Berg (The Kingdom) comes the critically acclaimed TV series based on the best-selling novel and hit theatrical movie. Discover why The Associated Press calls it "breathtaking in how it captures ordinary life set against extraordinary passions."The first season of Friday Night Lights accomplishes something that few television dramas are able to do: It betters the 2004 film (starring Billy Bob Thornton) on which the series is based. Set in Dillon, Texas, where football--even on the high school level--is everything, Friday Night Lights is a compelling drama with a football subplot. Poignantly and effectively touching on racism, rape, steroids, jealousy, infidelity, and life-changing injuries, the series presents the inhabitants of Dillon as real people who are flawed, but remarkable in their ordinariness. Though the series struggled to find an audience during its inaugural year, it was a critical favorite thanks to som! e fine acting by leads Kyle Chandler (as Coach Eric Taylor) an! d Connie Britton (who portrays his wife, Tami). Coach Taylor's career depends on his ability to get the Dillon Panthers to the state championship. If the team suffers a losing streak, he knows his family, which includes daughter Julie (Aimee Teegarden), will no longer be welcome in Dillon. Britton, who also played the coach's wife in the film version, is a phenomenal actress who shares simmering chemistry with Chandler. Not content at just being the coach's wife, she lands a job as a counselor at the local high school. That position plays a pivotal role in the season finale, which leaves viewers wondering whether Eric will leave Dillon to accept a coveted coaching job with a university. Though the majority of the twentysomething actors appear too mature to portray high school students, they have the mannerisms of teens down pat. Gaius Charles is perfect as cocky running back Brian "Smash" Williams, who'll risk his health to make sure he gets a football scholarship to college. Local! sweethearts Jason Street (Scott Porter) and Lyla Garrity (Minka Kelly) are the high school's golden couple. When a football injury leaves him paralyzed, he finds strength in what the future holds for him, but Lyla finds herself in a short-lived affair with Jason's best friend Tim Riggins (Taylor Kitsch). Once the relationship comes out in the open, their classmates' reactions to the "traitors" show that sexual inequality is rampant even in the teen set. Tim's teammates briefly ostracize him, but just as quickly forgive him, especially since he's so valuable on the football field. But Lyla becomes persona non grata to the girls at school who take too much glee in calling the head cheerleader a slut. The hits she takes verbally are no less lethal than the ones the boys take on the gridiron. And the tentative relationship between Julie Taylor and Matt Saracen (Zach Gilford) is the best depiction of teenage love since Angela Chase fell for Jordan Catalano on My So-Called Li! fe. The actors do a wonderful job conveying the sweetness,! pain, a nd hurt of falling in love without really understanding all of its implications. Peter Berg, who co-wrote and co-directed the film, has a strong presence as a writer on the series and evenly distributes the storylines between the kids and the adults. Friday Night Lights is a drama with teenage characters at its core. But the stories are universal. --Jae-Ha KimOne of the greatest TV dramas of all time continues with 13 gripping fourth season episodes of the critically acclaimed series Friday Night Lights. Small-town life in Dillon has changed irrevocably with the dramatic split of the school district. Coach Taylor (Kyle Chandler) finds himself fighting for the respect of the East Dillon Lions, while his wife, Tami (Connie Britton), faces her own battles as principal of the Dillon High Panthers. Across town, it’s a season for change as graduating students face life after high school, and new students deal with hostile rivalries. From executive producers Brian G! razer, Peter Berg and Jason Katims comes the show that critics rave “may have the greatest emotional range of any series ever on television” (Neal Gabler, Los Angeles Times).The fourth season of Friday Night Lights begins with Coach Taylor (Kyle Chandler) in what appears to be a lose-lose situation. Fired from Dillon High School as the Panthers' football coach, Taylor is offered a position coaching the East Dillon Lions. No matter how the school board tries to spin it with platitudes about both schools being equal, East Dillon is rundown, has no funds, and has a football squad that's a team in name only. Of course we all know that Coach Taylor being who he is, it's only a matter of time before he turns the team around and gets a little vengeance on the snooty Panthers. Meanwhile, his wife Tami (Connie Britton) is principal of Dillon High School, where their daughter Julie (Aimee Teegarden) is a senior. Her boyfriend, Matt (Zach Gilford), who had the chance to go ! to art school in Chicago, stayed behind in the small Texas tow! n becaus e he didn't want to leave behind his grandmother--who's suffering from Alzheimer's--or Julie. Though some of the plot points may sound melodramatic, they play beautifully in the 13 episodes, which originally aired on television during the 2009-2010 season. There are cast changes, reflecting the graduation of some of the characters. Lyla (Minka Kelly) briefly returns from her studies at Vanderbilt to attend a funeral, while Tim (Taylor Kitsch)--the boy she left behind--struggles with his ambivalent feelings for college and his need to help take care of the only family he has: his older brother, sister-in-law, and infant nephew. And new characters like Vince (Michael B. Jordan)--a central part of at least half the story lines--easily fit into the ensemble cast. Meanwhile, Lyla's dad Buddy (played by Brad Leland with just the right combination of sleaze and pathos) turns out to be instrumental in helping get the football program off the ground at East Dillon. Landry (Jesse Plem! ons) realizes that his on-again, off-again girlfriend is never coming back to him. And he's OK with that as he tackles the challenges of being the new kid at East Dillon. But, as his best friend Matt notes, "he's like a girl" when it comes to holding grudges. There also is major fallout for Tami, who is accused of telling a teenager to end her pregnancy, and trouble for a football player who gets hooked on drugs after an injury. When his religious parents tell him to pray, he does: "Dear Lord, please let me get some more drugs before Friday." There are a few scenarios that ring false, like when the Panthers' star quarterback J.D. McCoy (Jeremy Sumpter) seemingly turns into a malicious, spoiled brat overnight. But overall, Friday Night Lights scores just the right touch. --Jae-Ha Kim

Ball Bounce & Sport Fun Hopper

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Jack Ryan always wanted to play pro ball. But he couldn't hit a curveball, so he turned his attention to less legal pursuits. A tough guy who likes walking the razor's edge, he's just met his match -- and more -- in Nancy. She's a rich man's plaything, seriously into thrills and risk, and together she and Jack are pure heat ready to explode. But when simple housebreaking and burglary give way to the deadly pursuit of a really big score, the stakes suddenly skyrocket. Because violence and double-cross are the name of this game -- and it's going to take every ounce of cunning Jack and Nancy possess to survive . . . each other.

The Big Bang model is now both theoretically and empirically well established, although ! it does not explain the mystery of the very beginning of our universe. Over recent years, however, new developments open up the exciting prospect of going "beyond" the Big Bang and even of finding a physical explanation for it. Surprisingly, the ancient idea of a past-eternal universe is being revived, but a variety of other fascinating new approaches -- from the Holographic Universe to Cosmic Natural Selection -- are also being pursued. This book provides an up-to-date overview of each of these competing scenarios with original contributions from the world's leading researchers in cosmology, who describe their own work and results in a manner understandable even to non-specialists. "The stellar line-up of contributors to this volume are working at the cutting edge of cosmological research, and are poised to take our understanding of the universe beyond the big bang into an even stranger realm." - Paul Davies. "This book provides a wonderful overview of current ideas ! on these ultimate cosmic questions, written by scientists work! ing at t he forefront of cosmological research."-- Alex Vilenkin.

Jack Ryan always wanted to play pro ball. But he couldn't hit a curveball, so he turned his attention to less legal pursuits. A tough guy who likes walking the razor's edge, he's just met his match -- and more -- in Nancy. She's a rich man's plaything, seriously into thrills and risk, and together she and Jack are pure heat ready to explode. But when simple housebreaking and burglary give way to the deadly pursuit of a really big score, the stakes suddenly skyrocket. Because violence and double-cross are the name of this game -- and it's going to take every ounce of cunning Jack and Nancy possess to survive . . . each other.

Jack Ryan always wanted to play pro ball. But he couldn't hit a curveball, so he turned his attention to less legal pursuits. A tough guy who likes walking the razor's edge, he's just met his match -- and more -- in Nancy. She's a rich man's plaything, seriously into thrills and risk, and t! ogether she and Jack are pure heat ready to explode. But when simple housebreaking and burglary give way to the deadly pursuit of a really big score, the stakes suddenly skyrocket. Because violence and double-cross are the name of this game -- and it's going to take every ounce of cunning Jack and Nancy possess to survive . . . each other.

There really can't be enough movies adapted from Elmore Leonard novels; his sinuous storylines and fluid, surprising dialogue give any movie a boost from the start. In The Big Bounce, laid-back Owen Wilson (The Royal Tenenbaums, Shanghai Noon) plays Jack, a small-time crook trying to lead an easier life in Hawaii. Trouble is, he can't keep out of trouble, and when he does stay clean, trouble finds him--in this case, in the bikini-clad form of Nancy (Sara Foster), the mistress of a local developer who gets turned on by the whiff criminal activity. She lures Jack into a scheme that ultimately involves a solid! cast including Morgan Freeman, Charlie Sheen, Gary Sinise, B! ebe Neuw irth, Willie Nelson, and more. Foster doesn't bring much to movie besides her alarmingly sculpted body and the ending peters out, but The Big Bounce has enough snap and crackle that you don't miss the pop. --Bret FetzerThe Big Bounce is presented here in a high quality paperback edition. This popular classic work by Walter S. Tevis is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of Walter S. Tevis then we highly recommend this publication for your book collection.The Fun Hop circumference should not exceed 44 inches per instructions. The hopper will increase in size after inflation about 1/2- 1 inches. The Hopper is designed to carry one child and a maximum weight limitation-100 poundsEvery child knows this much about evolution: somewhere, way, way back, we were kangaroos. All you need to satisfy the deep primal desire to get around by hopping is one of these big, heavy-gauge vinyl hoppi! ng balls. The slightly stippled surface of the blue vinyl provides plenty of grip, and the ball inflates to over 53 inches in circumference, so it can accommodate different sizes of human Roo. The best feature of this model is a large, solid, arch-shaped handle so that you can hang on across long stretches of rough outback. A pump is required. --Richard Farr

Heist

• TESTED

Gene Hackman plays the veteran ringleader of a gang of theives (Delroy Lindo, Ricky Jay and Rebecca Pigeon as Hackman's youngish wife) that pulls off complex heists for a despicable fence (Danny DeVito). After stiffing the gang on a jewelry robbery, DeVito forces the gang to go after a Swiss gold shipment and to use his son (Sam Rockwell) in the crime. Mistrust runs rampant as double-crosses threaten the split-second operation.

DVD Features:
Interactive Menus
Scene Access
Theatrical Trailer

David Mamet's Heist is--not unlike many of his previous films--amusing, manicured, and fraught with an awkward tension. If you've seen The Spanish Prisoner or House of Games, you're by now familiar with the plot-subverting gambit of the double-cross turned triple- and then quadruple-cross. Heist sticks to the formula. Likewis! e, the quips and laconic wit that adorn what can most accurately be called "Mametspeak" are again on display: "Cute as a pail full of kittens," for instance, and "Everybody needs money; that's why they call it money." What you haven't yet seen in a Mamet film is the magisterial charm of Gene Hackman. In the role of Joe Moore, an aging criminal out for one final score before cashing in, Hackman shows us all (Mamet included) how it's done, embodying tough-but-clever effortlessly. Delroy Lindo, as Joe's partner Bobby, picks up on Hackman's ultra-cool and gives plenty in return. While the script and the remaining cast (Danny Devito, Rebecca Pidgeon, Sam Rockwell) are serviceable, Heist is entirely Hackman's show to steal. --Fionn Meade

• ISBN13: 9780765325075
• Condition: New
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Nathan Abercrombie is getting used to his rotten life as a half-dead zombie. The good thing is he doesn’t feel any pain. The bad thing is his body can’t heal, so he has to be really careful not to break anything. But that’s hard to do when his wrestling-obsessed gym teacher, Mr. Lomux, matches him up with Rodney the bully, who’s looking for any excuse to break his bones. Then one day, Nathan is approached by the secret organization B.U.M.â€"aka the Bureau of Useful Misadventuresâ€"which offers him a cure in exchange for his help. Nathan jumps at the chance to become the world’s first zombie spy, but soon discovers that B.U.M. isn’t quite what it seems. Can Nathan trust them?

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The Beautiful Truth: The World's Simplest Cure for Cancer

• After the unexpected and tragic death of his mother, 15-year old Garrett, who is an animal-loving teenager, was spiraling downward and fast. His father withdrew Garrett to be home-schooled to avoid flunking out. Growing up on an Alaskan animal reserve, Garrett's father recognized his son's interest in the dietary habits of their animals. That prompted him to assign a book written by Dr. Max Gerson

Raised on a wildlife reserve in Alaska, 15-year old Garrett was interested in the dietary habits of their animals. After the tragic death of his mother, Garrett s father decided to home-school his son and assigned a book written by Dr. Max Gerson that proposes a direct link between diet and a cure for cancer. Fascinated, Garrett embarks on a cross-country road trip to investigate The Gerson Therapy. He meets with scientists, doctors and cancer survivors who reveal how it is in the best interest of t! he multi-billion dollar medical industry to dismiss the notion of alternative and natural cures.

Goodbye Bafana Framed Poster Movie 11 x 17 Inches - 28cm x 44cm Joseph Fiennes Dennis Haysbert Diane Kruger Patrick Lyster

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An account of how the author was Nelson Mandela's gaoler for over twenty years. Despite opposing political views and Gregory's initial dislike of Mandela, the two gradually formed a firm friendship, becoming each other's confidant and source of comfort. Gives insight into the character and political beliefs of Mandela.Joseph Fiennes (Running with Scissors, Shakespeare in Love) and Dennis Haysbert (TV's 24) star in the incredible true story of the deep bond that develo! ps between political prisoner Nelson Mandela and James Gregory, the racist white South African who was Mandela's prison guard for more than 20 years. Based on Gregory's controversial memoir, Goodbye Bafana, The Color Of Freedom powerfully chronicles the life-changing journey both men experience during Mandela's imprisonment - as one man confronts the racism he has always known, the other's struggle for freedom makes him a worldwide symbol of South Africa's heroic fight for democracy.Inspired by James Gregory's memoir, Goodbye Bafana, The Color of Freedom offers an inside look at the 27-year incarceration of future South African President Nelson Mandela (24's Dennis Haysbert). Apartheid-friendly guard Gregory (Shakespeare in Love's Joseph Fiennes), social-climbing spouse Gloria (National Treasure's Diane Kruger), and their two children move to Robben Island, home of the infamous political prison, in 1968. Because he speaks Xhosa, Gregory’! s superior charges the warder with censoring correspondence an! d superv ising visits between the African National Congress (ANC) leader and his wife, Winnie (Faith Ndukwana). As it transpires, the guard had a black childhood friend named Bafana, and his relationship with Mandela rekindles Gregory’s long-lost belief in racial equality. Directed by Denmark's Bille August (The Best Intentions), The Color of Freedom captures the natural beauty of South Africa and the unnatural fashions of yesteryear (including Kruger's '60s-era foundation garments). The actors also give it their all, particularly Fiennes, who nails the Afrikaner dialect, but predictability and underdeveloped personalities dilute the drama (it's also worth noting that Mandela hasn't corroborated the facts in Gregory's book, contributing to its controversial reputation). The six-foot-four Haysbert's dissimilarity to the Nobel Peace Prize winner also proves distracting. Like Blood Diamond and other recent motion pictures concerning African history, August's effor! t means well, but fails to register as more than a made-for-TV movie with superior production values. --Kathleen C. FennessyApproximate 11 x 17 Inches - 28cm x 44cm Goodbye Bafana Style A

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