Tuesday, March 20, 2012

French Kiss

Tuesday, March 6, 2012

Cannes Film Festival 22 x 30 Poster - Style A - in Deluxe Wood Frame

  • Cannes Film Festival 22 x 30 Poster - Style A - in Deluxe Wood Frame
  • Size is provided by the manufacturer and may not be exact
  • Please enlarge the image in the listing before purchasing - The Amazon image in this listing is a digital scan of the poster that you will receive
  • Packaged with care and shipped in sturdy reinforced packing material - Guaranteed Customer Satisfaction
  • Movie Poster Art
Filming on location in France during the 1999 Cannes Film Festival, Henry Jaglom goes behind the scenes to explore how movies get made (and unmade). He would know--he's been making them for decades now. In this one, he takes an Altman-meets-Cassavetes approach to his subject. While former actress Alice (Greta Scacchi), for instance, is trying to get her directorial debut off the ground, film icon Millie (Anouk Aimée) is trying to decide between the lead in Alice's indie an! d a (better-paying) cameo in the new Tom Hanks vehicle. As in The Player, Jaglom focuses on several characters and, as in many Cassavetes pictures, the dialogue feels improvised. If Festival in Cannes is less emotionally involving than 1997's Déjà Vu (arguably his best), it still provides a fine showcase for a talented cast, including Maximilian Schell as Millie's husband and Ron Silver as the producer behind the Hanks project. --Kathleen C. FennessyFilming on location in France during the 1999 Cannes Film Festival, Henry Jaglom goes behind the scenes to explore how movies get made (and unmade). He would know--he's been making them for decades now. In this one, he takes an Altman-meets-Cassavetes approach to his subject. While former actress Alice (Greta Scacchi), for instance, is trying to get her directorial debut off the ground, film icon Millie (Anouk Aimée) is trying to decide between the lead in Alice's indie and a (better-paying) cameo ! in the new Tom Hanks vehicle. As in The Player, Jaglom ! focuses on several characters and, as in many Cassavetes pictures, the dialogue feels improvised. If Festival in Cannes is less emotionally involving than 1997's Déjà Vu (arguably his best), it still provides a fine showcase for a talented cast, including Maximilian Schell as Millie's husband and Ron Silver as the producer behind the Hanks project. --Kathleen C. FennessyScreenplay and film stills plus the original movie treatment. Filmed against the backdrop of the world famous Cannes International Film Festival, Henry Jaglom's "Festival in Cannes" is a story that plunges the audience deep into the heart of the funny, touching, sometimes glamourous, often duplicitous world of the haves and have-notes of the International Movie Business. FOR MORE INFORMATION, PLEASE VISIT: TheRainbowStore.comEach year, thousands flock to the Cannes Film Festival, wildly chasing fame, fortune and each other against the picturesque background of the French Riviera. Director Jaglo! m captures all the magic and mayhem as he follows an intriguing cast of characters - a beautiful movie icon (Anouk Aimée), her ex-husband (Maximilian Schell), an actress (Greta Scacchi) trying her first script, a high-powered producer (Ron Silver), an up-and-coming ingenue (Jenny Gabrielle), and a fast-talking entrepreneur (Zack Norman). How their lives and loves entangle make for an unforgettable journey through the very heart of the entertainment world.Filming on location in France during the 1999 Cannes Film Festival, Henry Jaglom goes behind the scenes to explore how movies get made (and unmade). He would know--he's been making them for decades now. In this one, he takes an Altman-meets-Cassavetes approach to his subject. While former actress Alice (Greta Scacchi), for instance, is trying to get her directorial debut off the ground, film icon Millie (Anouk Aimée) is trying to decide between the lead in Alice's indie and a (better-paying) cameo in the new Tom Hanks veh! icle. As in The Player, Jaglom focuses on several chara! cters an d, as in many Cassavetes pictures, the dialogue feels improvised. If Festival in Cannes is less emotionally involving than 1997's Déjà Vu (arguably his best), it still provides a fine showcase for a talented cast, including Maximilian Schell as Millie's husband and Ron Silver as the producer behind the Hanks project. --Kathleen C. FennessyA Nigt In Cannes Featuring B.B. King - Pat metheny and Dave Brubeck // Palais Des Festival, Cannes - January 28th. Pat Metheny with The Heath Brothers: 1. Move to the groove 7:29 Dave Brubeck Quartet: 2. Lover man 7:27 3. Blue rondo a la turk 7:05 4. Ol' Bill Basie 6:23 B.B. King and Orchestra: 5. The Thrill is gone 4:58 6. Guess who 5:47 7. Payin the costto be the boss 6:09Cannes Film Festival 22 x 30 Poster - Style A - in Deluxe Wood Frame