Monday, November 7, 2011

Crocodile Dundee in Los Angeles

  • Exclusive cast and crew interviews
  • Interactive Menus
  • Scene Selection
  • Widescreen
  • Dolby Digital 5.1 Surround
IN THE THIRD INSTALLMENT OF THIS BELOVED COMEDY SERIES, MICK CROCODILE DUNDEE TAKES ON THE WILD LIFE OF LOS ANGELES AS HE HELPS HIS GIRLFRIEND INVESTIGATE A JOURNALIST'S MYSTERIOUS DEATH. 0000000000000000000000000000000000000000000000000000000000000000How long has it been since Paul Hogan's grizzled but charming alter ego appeared in a new movie? Well, long enough for the character, Crocodile Dundee, and his American companion, Sue Charleton (Hogan's real-life wife, Linda Kozlowski), to have raised a 9-year-old son, Mikey (Serge Cockburn), in the rough-and-tumble Australian outback that Dundee calls home. As with its two predecessors, however, Crocodile Dundee in Los Angeles is no domestic comedy but a fish-out-of-water comic adventure, this time fi! nding Dundee and his mate Jacko (Alec Wilson) relocated in balmy Southern California to help journalist Sue investigate a crooked studio executive. The jokes are predictable (L.A. traffic, Hollywood phonies, yoga) but fun, anyway, and there are some celebrity cameos to spice things up. Australian director Simon Wincer, who worked with Hogan on Lightning Jack, is very effective at keeping this light material briskly moving along even if he can't make it any more memorable than it has a right to be. All in all, this is a pleasant but forgettable experience, a far cry from the Capra-esque leanings of Hogan's first screen outing as Crocodile Dundee. --Tom Keogh

Sunday, November 6, 2011

Alone in the Dark

  • A New Inventory System ¿ Players utilize the pockets of protagonist Edward Carnby to hold items which they can view, switch and combine without leaving the game.
  • Narrative intensity ¿ Taking its cues from blockbuster TV dramas, the story is told in a TV season style narrative structure based around episodes that deliver maximum intensity throughout and keep the player hooked.
  • A Captivating Story ¿ Centered in iconic Central Park long-time series protagonist and paranormal specialist Edward Carnby returns to delve into the frightening events occurring in the Big Apple.
  • Real World Rules ¿ In-Game movement has been designed to allow players to do almost anything that is physically possible in the real world.
  • Photographic Rendering ¿ Game developer Eden¿s Propriety ¿Twilight¿ technology creates a lavishly detailed game world with highly realistic and advanced cinema! tographic effects.
Alone in the Dark X360There?s something strange and frightening happening in the middle of New York City?s Central Park; something whispered to have been intentionally kept secret; something that players are compelled to explore in Alone in the Dark.

Known today as a safe haven for New Yorkers yearning for relief from the stresses of their chaotic metropolis, history records that Central Park was built on a useless swamp, yet as the New York City skyline hurtled towards the sky over the last 150 years, making the city the most expensive real estate in the world, the park has remained untouched. Why? Civic pride? Perhaps, but the recent strange happenings in and around the park are casting doubt on that, doubts that require investigating.



The return of! an icon ic series
Edward Carnby
Paranormal PI Edward Carnby.
View larger.
Stunningly spooky views of NYC
Stunningly spooky views of NYC.
View larger.
The odd wildlife of Central Park
The odd wildlife of Central Park.
View larger.
A whole new inventory system
A whole new inventory system.
View larger.
Enter Edward Carnby, Paranormal Investigator
Despite the title, Alone in the Dark is actually the fifth game in a series that dates back to 1992 and centers around the experiences of Edward "the reptile" Carnby. A paranormal investigator by trade, Carnby is looking for answers to the strange events and horrific creatures reported in and around the park, but gets more than he bargained for when all the mysteries and terrors of the park spill out over the course of one apocalyptic night. It?s the player?s task to avoid the new frightening dangers of the park as you search for the answers to what these supernatural occurrences mean and why they are happening.

Gameplay Based on Full Player Immersion
Packed full of action and vivid in its realism Alone in t! he Dark goes to the extreme to keep players engaged and im! mersed b y plunging them into the heart of the action in real-time at every turn and challenging them to survive using full movement control. The goal here is to allow players to do or at least feel that they can do more or less whatever is possible in real life, within the game.

Need to avoid a blast of steam or an eruption of fire that has shot up in your path? You can simply side-step it or you can handle the obstacle with a little more panache by using the environment around you, for example by swinging around it using reachable pipes or wires. In another situation you may be challenged by attacking monsters. No problem. You can take the path of least resistance, again by side-stepping them or placing an obstacle between yourself and them, but if you are feeling like taking out a little aggression you can pick up a board, chair, box, etc. and have at it. Nearly anything that you come across that would be usable in real life is usable in game and can be wielded in several diffe! rent ways.

In addition, game developer Eden Studios has done away with a few in-game conventions in favor of real life upgrades. Instead of old-fashioned health bars Alone in the Dark uses realistic body damage and physiological effects to show players how much damage has been done to Carnby by the new dangerous nightlife of Central Park. Basically this means if Carnby has been taking a licking he?s going to be a little bloody. Monsters use sensory perception of all kinds to find their victims, so players need to keep aware of Carnby?s physical state, as well as the impact he has on his surroundings. Also gone are traditional inventory systems that take players out of the game while you switch or check items in your possession, replaced by an in-game inventory system where items are carried in the folds of Carnby?s trench coat. This allows you to stay in the action the whole time. Sticking with the realism theme, the number of items that Carnby can carry is limite! d, but since ingenuity is built into the system, items can be ! combined or their uses altered, mostly with tape, so players can adjust as challenges arise.

TV Style Intensity That Keeps You Hooked
Built around a unique television style episodic narrative game structure, the storyline of Alone in the Dark is split into a number of distinct 30-40 minute episodes, doled out one at a time as you play. This new way to progress through the storyline ensures that players can enjoy the game regardless of the amount of time they have available without ever feeling lost. Each time a saved game is launched, the episode will begin with a video summary of the previous episode to quickly re-immerse the player in the story, removing the need to remember where you were or what you were doing at the end of your last play session. In addition, every episode will also close with a nail-biting, cliff-hanger ending to rattle players? nerves. And when you choose to leave the game, a video teaser of the next episode will play to leave players alw! ays wanting more.

Vivid Photographic Rendering
Even on a bad day, and this will be a bad one, Central Park and New York City are something to see. With Game developer Eden?s proprietary Twilight technology and rendering engine, players can expect to see everything from the City?s famous landmarks to the manifestations of the evil that have been festering in Central Park come to life as if you were there. This lavishly detailed game world takes advantage of highly realistic and advanced cinematographic effects including depth of field, camera focus, numerous light sources, moisture, reflections and High Dynamic Range effects.

Whether it?s the innovative game play, the unique episodic game structure, the advanced physics or the return of a ground-breaking protagonist recast in the modern era, Alone in the Dark holds something for players willing to take on the mysteries and dangers at the heart of Central Park.


Saturday, November 5, 2011

An Affair Without End

A Brilliant Solution: Inventing the American Constitution

  • ISBN13: 9780156028721
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

American Sign Language is a rich and complex language. Recently declared as an official language and recognized by 48 states as a foreign language, more and more high school teachers across the country are teaching American Sign Language as an elective.

 

Learning American Sign Language: Levels I & II â€" Beginning &Intermediate is designed to prepare teachers to successfullyinteract with American Sign Language (ASL) users. Lessons are structured around language needed for common-life situations, and examples are presented in the form of dialogues coupled with grammar and vocabulary instruction. Information is also include! d about the culture of deaf people in the United States.

 

Learners will discover that the book:

  • Contains lessons designed around the conversational language needed for common life situations.
  • Illustrates hundreds of sentences and vocabulary with over 2,000 high quality colorized drawings that aid in study and memory.
  • Contains over 100 grammar and cultural notes, 72 exercises, and charts of the American Manual Alphabet (Finger spelling) and ASL number system.
  • Teaches the rules of ASL in a natural order that is predictable and compatible with everyday language of native users of American Sign Language.
  • Incorporates information about the cultural lives of Deaf people in the United States.
  • Is supported by a video demonstrating all the conversations and important structures in the text.

Order the Video!

Vid! eo to Accompany American Sign Language, 2/e
Order No. 0! -205-275 54-0

American Sign Language students will find themselves captivated and entertained by this state-of-the-art Video that presents all 72 dialogues and each key structure from the text in a clear and natural way. Four internationally known Deaf actors animate the dialogues bringing life to the illustrations in the text allowing students to preview and review instructional materials at home to enhance their classroom learning.

 

About the authors:


Tom Humphries is Associate Director of the Teacher Education Program and also teaches in the Department of Communication at the University of California, San Diego. He is currently coordinating a program to train teachers of deaf children using a bilingual approach. Prior to this he taught at Gallaudet University in the Department of English for several years and later served as an Associate Dean for the San Di! ego Community College District where he coordinated the development of an ASL program and an interpreter-training program. He holds a Ph.D. in Cross Cultural Communication and Language Learning. Dr. Humphries is co-author with Carol Padden of Deaf in America: Voices from a Culture and several other books and articles related to ASL and the culture of Deaf people.

Carol Padden is a Professor in the Department of Communication at the University of California, San Diego where she teachers courses on language, culture and media. She is a graduate of Georgetown University and received a Ph.D. in Linguistics from the University of California, San Diego. Her recent research includes studies of reading development in young deaf children and she has written extensively about the cultural lives of Deaf people in the United States. She received a John Simon Guggenheim Fellowship, in addition to numerous other awards and grants for her work! . In addition to the books she has co-authored with Tom Humphr! ies, she has published several other books and articles on American Sign Language structure. Humphries & Padden (Learning American Sign Language, 2e).

A rich narrative portrait of post-revolutionary America and the men who shaped its political future

 

Though the American Revolution is widely recognized as our nation's founding story, the years immediately following the warâ€"when our government was a disaster and the country was in a terrible crisisâ€"were in fact the most crucial in establishing the country's independence. The group of men who traveled to Philadelphia in the summer of 1787 had no idea what kind of history their meeting would make. But all their ideas, arguments, and compromisesâ€"from the creation of the Constitution itself, article by article, to the insistence that it remain a living, evolving documentâ€"laid the foundation for a government that has surpassed the founders' greatest hopes. Revisiting all the original historical! documents of the period and drawing from her deep knowledge of eighteenth-century politics, Carol Berkin opens up the hearts and minds of America's founders, revealing the issues they faced, the times they lived in, and their humble expectations of success."The majority of historians seem to suggest that the founders knew just what to do--and did it, creating a government that would endure for centuries," writes CUNY historian Carol Berkin in the introduction to A Brilliant Solution. Sitting atop the pedestals we've placed them on, these figures would be "amused" by such notions, she says, because in reality the Constitutional Convention was gripped by "a near-paranoid fear of conspiracies" and might easily have succumbed to "a collective anxiety" over its daunting task. The story of the birth of the U.S. Constitution has been told many times, perhaps best by Catherine Drinker Bowen in Miracle at Philadelphia. Berkin's rendition of these well-known events is ! clear and concise. It does a bit more telling than showing, bu! t this s eems to be in the service of brevity--the main text is only about 200 pages. (Another 100 pages of useful appendices follow, including the full texts of the Articles of Confederation and the Constitution, plus short biographies of all the convention delegates.) Berkin is an opinionated narrator, unafraid, for instance, to call Maryland's Luther Martin "determinedly uncouth." She also points out that American government has evolved in ways that would make the founders cringe: they believed the presidency would be a ceremonial office (rather than the locus of the nation's political power) and that political parties were bad (when, in fact, they have served democracy well). Readers who want a sure-footed introduction to America's founding would do well to start here. --John J. Miller

Appaloosa

  • In Marshal Virgil Cole and deputy Everett Hitchs line of work, you shoot quick, you shoot clean, and you reload straightaway. No remorse. No looking back. No feelings. Feelings get you killed. Paired as rivals in A History of Violence, Ed Harris (who also directs, produces and co-scripts) and Viggo Mortensen stand together as longtime friends and for-hire peacekeepers Cole and Hitch in this charac
In Marshal Virgil Cole and deputy Everett Hitchs line of work, you shoot quick, you shoot clean, and you reload straightaway. No remorse. No looking back. No feelings. Feelings get you killed. Paired as rivals in A History of Violence, Ed Harris (who also directs, produces and co-scripts) and Viggo Mortensen stand together as longtime friends and for-hire peacekeepers Cole and Hitch in this character-driven, bullet-hard Western based on Robert B. Parkers novel. Blood will spill in the town called Ap! paloosa.The Western has been an endangered species, on and off, for something like 40 years now. Welcome to Appaloosa, Ed Harris's film of the Robert B. Parker novel--first because it exists at all, but even more because Harris as star, director, and co-screenwriter (with Robert Knott) has managed to bring it to the screen with no hint of fuss or strain, as if the making of no-nonsense, copiously pleasurable Westerns were still something Hollywood did with regularity. Harris plays Virgil Cole, one of those ace gunfighter-lawmen whose name need only be mentioned to make a saloon go still. Cole and his shotgun-toting partner Everett Hitch (Viggo Mortensen) accept a commission to enforce law and order in the New Mexico town of Appaloosa. That basically means protect it from rapacious rancher Randall Bragg (Jeremy Irons, looking right at home on the range), who murdered the previous town marshal like swatting a fly. Life becomes complicated when, about the time Bragg h! as been jailed to await trial, a fancy-dressing piano player c! alling h erself Mrs. French (Renée Zellweger) steps down off the train. Cole commences to have feelings, and as he ruefully reminds Hitch, "Feelin's can get ya killed."

In his second directorial effort (following the 2000 biopic Pollock), Harris takes his cue from novelist Parker's often deadpan-comic touch, allowing action and character to accumulate in accordance with an overall eccentric rhythm. (The film's main disappointment is that it would benefit from more running time to allow things to stew a bit longer, especially in the second half.) The character work is choice, from the moment Tom Bower, James Gammon, and Timothy Spall step into view as Appaloosa's civic leaders; the director's father Bob Harris contributes a cameo as a mellifluous-tongued circuit judge, and an age-thickened Lance Henriksen turns up midfilm as gunman Ring Shelton, trailing affability and menace. In collaboration with Dances With Wolves cameraman Dean Semler, Harris sets up shots an! d scenes in such a way that we often see into and out of Appaloosa's various buildings simultaneously, to excellent dramatic and atmospheric effect, and there's a thrillingly vertical dynamics to a scene involving a train at an isolated water stop. The action is lethal when it needs to be, but never dwelt upon. "That was over quick," Hitch observes after one gun battle. Cole's response says it all: "Everybody could shoot." --Richard T. Jameson


Fool's Gold (Widescreen Edition)

  • Condition: New
  • Format: DVD
  • Widescreen; Color; NTSC
Matthew McConaughey and Kate Hudson go for the gold (and the diamonds, emeralds and rubies) as a just-divorced couple who bicker and banter their way through an adventure- and laugh-packed undersea treasure hunt. McConaughey is Finn, in love with his ex (Hudson) and in deep with gangster Bigg Bunny. After eight years of searching, Finn gets a clue to the whereabouts of the Queen’s Dowry, a fabulous fortune that mysteriously disappeared in the Caribbean in 1715. Now all he has to do is get the gold, get the girl and get going before Bigg Bunny gets him. Directed by Andy Tennant (Hitch), Fool’s Gold glitters with danger, action, romance, comedy, great one-liners â€" and a great time to be had by all!The "gold" of the title refers to an elusive pirate's booty, but it just as easily could mean the sun-washed glistening shores ! of Florida, or the sumptuously tanned bodies of its appealing stars, Kate Hudson and Matthew McConaughey. The whole film is awash in golden highlights, and the scenery and cinematography make the experience akin to taking a tropical holiday. Hudson and McConaughey reprise the chemistry they first exhibited in How to Lose a Guy in 10 Days, sparking and tangling and kvetching, while all the while the audience knows, of course, they adore each other and are perfect for each other. McConaughey is a dreamer, on the trail of a sunken pirate's treasure, and Hudson his now-ex-wife, a historian who prefers life to be a little more sedate. McConaughey, as Finn, delivers impassioned speeches to Hudson, as Tess, saying, "You want history? It's in the ocean, lady!" Before you can say Romancing the Stone, Tess and Finn are grudgingly reunited in search of the booty. If the plot doesn't contain many surprises, the froth of the stars' chemistry is amiable and makes for a perf! ect date movie. Scuba divers may find McConaughey's antics bel! ow the s urface to be wildly unbelievable and usually fatal, but in the end viewers will root for him to surface, and recapture the heart of his lady love. --A.T. Hurley

Cliffhanger [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen
WHEN MERCILESS MASTER TERRORIST JOHN LITHGOW LOSES $10 MILLION SOMEWHERE OVER THE ROCKIES, HE FORCES MOUNTAIN CLIMBER EXTRAORDINAIRE SYLVESTER STALLONE TO FIND IT. SPECIAL FEATURES: SUBTITLES IN ENGLISH, SPANISH, PORTUGUES AND CANTONESE, TALENT FILES, THEATRICAL TRAILERS, PRODUCTION NOTES AND MUCH MORE.Cliffhanger was a 1994 comeback of sorts for action hero Sylvester Stallone, this time thanks to director Renny Harlin (Die Hard 2 and Nightmare on Elm Street 4: The Dream Master) and some spectacularly rugged and vertigo-inducing high-mountain terrain. The opening sequence alone delivers what the title promises, and there's a doozy of an airplane stunt that was later reprised, with modifications, in Air Force One. Stallone, looking as tough and craggy as the mountains! themselves, is a rescue climber who finds himself going after a gang of crooks (headed by John Lithgow in his bad-guy mode) who've hijacked a U.S. Treasury plane and crash landed in the Rockies (played by the Italian Dolomites) with millions of bucks. --Jim Emerson Sarah was an inexperienced climber. She trusted Gabe to rescue her. But something went wrong high above the valley floor...Sylvester Stallone, John Lithgow, Michael Rooker, Janine Turner and Ralph Waite star in this high-altitude avalanche of action: a non-stop adventure peak with suspense and capped with heart-quaking terror. For Rocky Mountain Rescue, the mission is almost routine: locate five climbers. With the woman he loves (Turner) and his best friend (Rooker), Gabe Walker (Stallone) braves the icy peaks only to discover that the distress call is really a trap set by merciless internationa! l terrorist Eric Qualen (Lithgow). Now millions of dollars and! their o wn lives hang in the balance. Against explosive firepower, bitter cold, and dizzying heights, Walker must outwit Qualen in a deadly game of hide-and-seek.
Cliffhanger was a 1994 comeback of sorts for action hero Sylvester Stallone, this time thanks to director Renny Harlin (Die Hard 2 and Nightmare on Elm Street 4: The Dream Master) and some spectacularly rugged and vertigo-inducing high- mountain terrain. The opening sequence alone delivers what the title promises, and there's a doozy of an airplane stunt that was later reprised, with modifications, in Air Force One. Stallone, looking as tough and craggy as the mountains themselves, is a rescue climber who finds himself going after a gang of crooks (headed by John Lithgow in his bad-guy mode) who've hijacked a U.S. Treasury plane and crash landed in the Rockies (played by the Italian Dolomites) with millions of bucks. Outrageous action-packed, ! snow-packed, and scenery-packed chase sequences (featuring whirring helicopters, whooshing skis, popping gunfire, and clanging pitons that earned the movie Oscar nominations for sound and sound editing) take full advantage of the digital video disc's Dolby Digital 5.1 sound. --Jim Emerson

The English Patient: Original Soundtrack Recording

  • OST Full Length Audio CD
With unsettling beauty and intelligence, Michael Ondaatje's Booker Prize-winning novel traces the intersection of four damaged lives in an abandoned Italian villa at the end of World War II.The nurse Hana, exhausted by death, obsessively tends to her last surviving patient. Caravaggio, the thief, tries to reimagine who he is, now that his hands are hopelessly maimed. The Indian sapper Kip searches for hidden bombs in a landscape where nothing is safe but himself. And at the center of his labyrinth lies the English patient, nameless and hideously burned, a man who is both a riddle and a provocation to his companionsâ€"and whose memories of suffering, rescue, and betrayal illuminate this book like flashes of heat lightning.Haunting and harrowing, as beautiful as it is disturbing, The English Patient tells the story of the entanglement of four damaged lives in a! n Italian monastery as World War II ends. The exhausted nurse, Hana; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burn victim who lies in an upstairs room and whose memories of passion, betrayal, and rescue illuminate this book like flashes of heat lightning. In lyrical prose informed by a poetic consciousness, Michael Ondaatje weaves these characters together, pulls them tight, then unravels the threads with unsettling acumen.

A book that binds readers of great literature, The English Patient garnered the Booker Prize for author Ondaatje. The poet and novelist has also written In the Skin of a Lion, Coming Through Slaughter and The Collected Works of Billy the Kid; two collections of poems, The Cinnamon Peeler and There's a Trick with a Knife I'm Learning to Do; and a memoir, Running in the Family.With ravishing beauty and unsettling! intelligence, Michael Ondaatje's Booker Prize-winning novel t! races th e intersection of four damaged lives in an Italian villa at the end of World War II. Hana, the exhausted nurse; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burned man who lies in an upstairs room and whose memories of passion, betrayal,and rescue illuminates this book like flashes of heat lightening.


From the Hardcover edition.Haunting and harrowing, as beautiful as it is disturbing, The English Patient tells the story of the entanglement of four damaged lives in an Italian monastery as World War II ends. The exhausted nurse, Hana; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burn victim who lies in an upstairs room and whose memories of passion, betrayal, and rescue illuminate this book like flashes of heat lightning. In lyrical prose informed by a poetic consciousness, Michael Ondaatje ! weaves these characters together, pulls them tight, then unravels the threads with unsettling acumen.

A book that binds readers of great literature, The English Patient garnered the Booker Prize for author Ondaatje. The poet and novelist has also written In the Skin of a Lion, Coming Through Slaughter and The Collected Works of Billy the Kid; two collections of poems, The Cinnamon Peeler and There's a Trick with a Knife I'm Learning to Do; and a memoir, Running in the Family.With ravishing beauty and unsettling intelligence, Michael Ondaatje's Booker Prize-winning novel traces the intersection of four damaged lives in an Italian villa at the end of World War II. Hana, the exhausted nurse; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burned man who lies in an upstairs room and whose memories of passion, betrayal,and rescue illuminates this b! ook like flashes of heat lightening.


From the Ha! rdcover edition.Anthony Minghella's Oscar-winning realization of Michael Ondaatje's intricate romance deservedly earned comparisons to David Lean's sweeping screen epics derived from strong literary sources. Like Lean, Minghella sought an equally thoughtful, yet ravishing musical counterpart that fleshes out a sympathetic orchestral score with allusions to the story's cultural milieu. The equation begins with Gabriel Yared's tender, brooding symphonic score, which mingles the film's poles of fate and passion with subtlety and restraint, then adds the exotic, mesmerizing voice of Marta Sebestyen (best known for her work with Muzsikas, the brilliant Hungarian folk revivalists, who also appear here), whose presence provides a literate clue to the title character's true identity. The film's '40s time-frame gains resonance and dramatic irony by pop songs from that era, including Benny Goodman swing classics and two versions of Irving Berlin's "Cheek to Cheek" (by Fred Astaire and Ell! a Fitzgerald, respectively). Add a pivotal Bach cue and this is a film package that works even if you don't know the film--and that much more powerfully if you do. --Sam Sutherland