Crocodile Dundee in Los Angeles
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When Oliver, Earl of Stewkesbury, asks the dashing Lady Vivian Carlyle to ensure that his American cousins meet the cream of London society, he doesnât anticipate the danger she will pose to his own self-control. Thrown into intimate contact with the lovely lady, Oliver finds he cannot stop thinking of Vivianâ"of her wit, of her smile . . . of her lips. And when Vivian, who has sworn never to subject herself to the! bonds of matrimony, boldly suggests that she and Oliver become lovers instead, her scandalous proposal is temptation indeed! But with an alarming series of jewel thefts rocking London, the ever-outrageous Vivian insists on trying to discover the perpetrator despite Oliverâs admonitions. And when a bold lady steps into danger, it is a gentlemanâs duty to protect her at all costs. What neither Oliver nor Vivian can anticipate, however, is that the ultimate cost may be both their hearts. . . .
American Sign Language is a rich and complex language. Recently declared as an official language and recognized by 48 states as a foreign language, more and more high school teachers across the country are teaching American Sign Language as an elective.
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Learning American Sign Language: Levels I & II â" Beginning &Intermediate is designed to prepare teachers to successfullyinteract with American Sign Language (ASL) users. Lessons are structured around language needed for common-life situations, and examples are presented in the form of dialogues coupled with grammar and vocabulary instruction. Information is also include! d about the culture of deaf people in the United States.
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Learners will discover that the book:
Order the Video!
Vid! eo to Accompany American Sign Language, 2/e
Order No. 0! -205-275 54-0
American Sign Language students will find themselves captivated and entertained by this state-of-the-art Video that presents all 72 dialogues and each key structure from the text in a clear and natural way. Four internationally known Deaf actors animate the dialogues bringing life to the illustrations in the text allowing students to preview and review instructional materials at home to enhance their classroom learning.
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About the authors:
Tom Humphries is Associate Director of the Teacher Education Program and also teaches in the Department of Communication at the University of California, San Diego. He is currently coordinating a program to train teachers of deaf children using a bilingual approach. Prior to this he taught at Gallaudet University in the Department of English for several years and later served as an Associate Dean for the San Di! ego Community College District where he coordinated the development of an ASL program and an interpreter-training program. He holds a Ph.D. in Cross Cultural Communication and Language Learning. Dr. Humphries is co-author with Carol Padden of Deaf in America: Voices from a Culture and several other books and articles related to ASL and the culture of Deaf people.
Carol Padden is a Professor in the Department of Communication at the University of California, San Diego where she teachers courses on language, culture and media. She is a graduate of Georgetown University and received a Ph.D. in Linguistics from the University of California, San Diego. Her recent research includes studies of reading development in young deaf children and she has written extensively about the cultural lives of Deaf people in the United States. She received a John Simon Guggenheim Fellowship, in addition to numerous other awards and grants for her work! . In addition to the books she has co-authored with Tom Humphr! ies, she has published several other books and articles on American Sign Language structure. Humphries & Padden (Learning American Sign Language, 2e).
A rich narrative portrait of post-revolutionary America and the men who shaped its political future
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Though the American Revolution is widely recognized as our nation's founding story, the years immediately following the warâ"when our government was a disaster and the country was in a terrible crisisâ"were in fact the most crucial in establishing the country's independence. The group of men who traveled to Philadelphia in the summer of 1787 had no idea what kind of history their meeting would make. But all their ideas, arguments, and compromisesâ"from the creation of the Constitution itself, article by article, to the insistence that it remain a living, evolving documentâ"laid the foundation for a government that has surpassed the founders' greatest hopes. Revisiting all the original historical! documents of the period and drawing from her deep knowledge of eighteenth-century politics, Carol Berkin opens up the hearts and minds of America's founders, revealing the issues they faced, the times they lived in, and their humble expectations of success."The majority of historians seem to suggest that the founders knew just what to do--and did it, creating a government that would endure for centuries," writes CUNY historian Carol Berkin in the introduction to A Brilliant Solution. Sitting atop the pedestals we've placed them on, these figures would be "amused" by such notions, she says, because in reality the Constitutional Convention was gripped by "a near-paranoid fear of conspiracies" and might easily have succumbed to "a collective anxiety" over its daunting task. The story of the birth of the U.S. Constitution has been told many times, perhaps best by Catherine Drinker Bowen in Miracle at Philadelphia. Berkin's rendition of these well-known events is ! clear and concise. It does a bit more telling than showing, bu! t this s eems to be in the service of brevity--the main text is only about 200 pages. (Another 100 pages of useful appendices follow, including the full texts of the Articles of Confederation and the Constitution, plus short biographies of all the convention delegates.) Berkin is an opinionated narrator, unafraid, for instance, to call Maryland's Luther Martin "determinedly uncouth." She also points out that American government has evolved in ways that would make the founders cringe: they believed the presidency would be a ceremonial office (rather than the locus of the nation's political power) and that political parties were bad (when, in fact, they have served democracy well). Readers who want a sure-footed introduction to America's founding would do well to start here. --John J. Miller
In his second directorial effort (following the 2000 biopic Pollock), Harris takes his cue from novelist Parker's often deadpan-comic touch, allowing action and character to accumulate in accordance with an overall eccentric rhythm. (The film's main disappointment is that it would benefit from more running time to allow things to stew a bit longer, especially in the second half.) The character work is choice, from the moment Tom Bower, James Gammon, and Timothy Spall step into view as Appaloosa's civic leaders; the director's father Bob Harris contributes a cameo as a mellifluous-tongued circuit judge, and an age-thickened Lance Henriksen turns up midfilm as gunman Ring Shelton, trailing affability and menace. In collaboration with Dances With Wolves cameraman Dean Semler, Harris sets up shots an! d scenes in such a way that we often see into and out of Appaloosa's various buildings simultaneously, to excellent dramatic and atmospheric effect, and there's a thrillingly vertical dynamics to a scene involving a train at an isolated water stop. The action is lethal when it needs to be, but never dwelt upon. "That was over quick," Hitch observes after one gun battle. Cole's response says it all: "Everybody could shoot." --Richard T. Jameson
A book that binds readers of great literature, The English Patient garnered the Booker Prize for author Ondaatje. The poet and novelist has also written In the Skin of a Lion, Coming Through Slaughter and The Collected Works of Billy the Kid; two collections of poems, The Cinnamon Peeler and There's a Trick with a Knife I'm Learning to Do; and a memoir, Running in the Family.With ravishing beauty and unsettling! intelligence, Michael Ondaatje's Booker Prize-winning novel t! races th e intersection of four damaged lives in an Italian villa at the end of World War II. Hana, the exhausted nurse; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burned man who lies in an upstairs room and whose memories of passion, betrayal,and rescue illuminates this book like flashes of heat lightening.
From the Hardcover edition.Haunting and harrowing, as beautiful as it is disturbing, The English Patient tells the story of the entanglement of four damaged lives in an Italian monastery as World War II ends. The exhausted nurse, Hana; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burn victim who lies in an upstairs room and whose memories of passion, betrayal, and rescue illuminate this book like flashes of heat lightning. In lyrical prose informed by a poetic consciousness, Michael Ondaatje ! weaves these characters together, pulls them tight, then unravels the threads with unsettling acumen.
A book that binds readers of great literature, The English Patient garnered the Booker Prize for author Ondaatje. The poet and novelist has also written In the Skin of a Lion, Coming Through Slaughter and The Collected Works of Billy the Kid; two collections of poems, The Cinnamon Peeler and There's a Trick with a Knife I'm Learning to Do; and a memoir, Running in the Family.With ravishing beauty and unsettling intelligence, Michael Ondaatje's Booker Prize-winning novel traces the intersection of four damaged lives in an Italian villa at the end of World War II. Hana, the exhausted nurse; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burned man who lies in an upstairs room and whose memories of passion, betrayal,and rescue illuminates this b! ook like flashes of heat lightening.
From the Ha! rdcover edition.Anthony Minghella's Oscar-winning realization of Michael Ondaatje's intricate romance deservedly earned comparisons to David Lean's sweeping screen epics derived from strong literary sources. Like Lean, Minghella sought an equally thoughtful, yet ravishing musical counterpart that fleshes out a sympathetic orchestral score with allusions to the story's cultural milieu. The equation begins with Gabriel Yared's tender, brooding symphonic score, which mingles the film's poles of fate and passion with subtlety and restraint, then adds the exotic, mesmerizing voice of Marta Sebestyen (best known for her work with Muzsikas, the brilliant Hungarian folk revivalists, who also appear here), whose presence provides a literate clue to the title character's true identity. The film's '40s time-frame gains resonance and dramatic irony by pop songs from that era, including Benny Goodman swing classics and two versions of Irving Berlin's "Cheek to Cheek" (by Fred Astaire and Ell! a Fitzgerald, respectively). Add a pivotal Bach cue and this is a film package that works even if you don't know the film--and that much more powerfully if you do. --Sam Sutherland