- Final Director's Cut with additional footage.
- Digital Sound. Dolby Surround Stereo. Rated R. 1990
- 170 minutes. Closed Captioned.
- Special Extended Laserdisc Version.
One of the greatest sagas in movie history continues. In this third film in the epic Corleone trilogy, Al Pacino reprises the role of powerful family leader Michael Corleone. Now in his 60's, Michael is dominated by two passions: freeing his family from crime and finding a suitable successor. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hope of business legitimacy into an inferno of mob violence. Francis Ford Coppola directs Pacino, Garcia, Diane Keaton, Talia Shire, Eli Wallach, Sofia Coppola, Joe Montegna and others in this exciting, long-awaited film that masterfully explores the themes of power, tradition, revenge and love. Seven Academy Aw! ard® nominations for 1990 were the result, including Best Picture.Sixteen years after Francis Ford Coppola won his second Oscar for
The Godfather II (his first was for the 1972
Godfather), the director and star Al Pacino attempted to revive the concept one more time. Despite an elaborate plot that involves Michael Corleone seeking redemption through the Vatican while simultaneously preparing his nephew (Andy Garcia) to take over the Corleone family, the film fails to take shape as a truly meaningful experience in the way the preceding movies do. Still, Pacino is very moving as an elder Michael, filled with regret and trying hard to make amends with his wife (Diane Keaton) and grown children (one of whom is played, and not all that well, by the director's daughter, Sofia Coppola).
--Tom KeoghSixteen years after Francis Ford Coppola won his second Oscar for
The Godfather II (his first was for the 1972
Godfather), the director and star Al Pa! cino attempted to revive the concept one more time. Despite an! elabora te plot that involves Michael Corleone seeking redemption through the Vatican while simultaneously preparing his nephew (Andy Garcia) to take over the Corleone family, the film fails to take shape as a truly meaningful experience in the way the preceding movies do. Still, Pacino is very moving as an elder Michael, filled with regret and trying hard to make amends with his wife (Diane Keaton) and grown children (one of whom is played, and not all that well, by the director's daughter, Sofia Coppola).
--Tom KeoghSixteen years after Francis Ford Coppola won his second Oscar for
The Godfather II (his first was for the 1972
Godfather), the director and star Al Pacino attempted to revive the concept one more time. Despite an elaborate plot that involves Michael Corleone seeking redemption through the Vatican while simultaneously preparing his nephew (Andy Garcia) to take over the Corleone family, the film fails to take shape as a truly meaningful experience in! the way the preceding movies do. Still, Pacino is very moving as an elder Michael, filled with regret and trying hard to make amends with his wife (Diane Keaton) and grown children (one of whom is played, and not all that well, by the director's daughter, Sofia Coppola).
--Tom KeoghThe
Godfather saga may have its roots in pulp fiction, but the vision of director Francis Ford Coppola turned the story of Don Vito Corleone into an epic, multigenerational metaphor for modern American society and its place in the world. Coppola's musical choices were equally sage; aged Italian scoring legend Nino Rota's mournful solo trumpet theme ("Godfather Waltz") would become both a crucial, emotional link in all three films and an enduring modern icon on a par with the themes to
Star Wars and
Jaws.
This compendium gathers key themes from the Godfather trilogy in modern rerecordings, by conductor Paul Bateman and the Prague Philharmonic, that are soni! cally pristine and faithful to the originals. Utilizing the ri! ch music al heritage of his native Italy (and occasionally evoking memories of his great collaborations with Fellini), Rota's Godfather music would ultimately net him his only Oscar®, for Godfather II. Carmine Coppola, the director's father, supplements Rota's work with music that's more distinctly ethnic, while the prelude from Italian classical composer Pietro Mascagani's masterful opera Cavalleria Rusticana becomes a crucial element in Godfather III, filling the void left by Rota's passing in 1979. --Jerry McCulleyAl Pacino reprises the role of powerful family leader Michael Corleone.
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