All Dogs Go to Heaven 2 [Blu-ray]

• Condition: New
• Format: Blu-ray
• Animated; Widescreen

Voices of Charlie Sheen, Sheena Easton, Dom DeLuise. A determined dog is sent back to Earth to find the angel Gabriel's horn but gets sidetracked by a beautiful Irish setter and a young runaway. Animated. 1996/color/82 min/G/fullscreen.While it pales in comparison to the outstanding animation of its predecessor, Don Bluth's imaginative if somewhat graceless All Dogs Go to Heaven, this 1995 sequel has some nice moments of its own. Charlie Sheen replaces Burt Reynolds as the voice of Charlie Barkin, the afterlife-stranded pooch who sought vengeance against his killer in the previous film but instead discovered the joys of earthly love and community. This time, a bored Charlie, looking for a little adventure, reteams with his old pal Itchy (voiced by Dom DeLuise) to retrieve Gabriel's Horn after it's stolen. Dropping down! from Dog Heaven to take on his old nemesis (and killer), Carface (Ernest Borgnine), Charlie falls for a sexy Irish setter (Sheena Easton) and helps a boy caught in a jam. Featuring grand pop songs by the legendary songwriting team of Barry Mann and Cynthia Weil, All Dogs Go to Heaven 2 provides kids with a simpler story than Bluth's original film, as well as less unsettling violence. On the downside, director Paul Sabella, a Hanna-Barbera veteran who produced television's The Smurfs, either can't or won't stretch much as an artist here. --Tom Keogh Disc 1: ALL DOGS GO TO HEAVEN Disc 2: ALL DOGS GO TO HEAVEN 2All Dogs Go To Heaven

All Dogs Go To Heaven is a musical, animated exploration of the fundamental conflict between good and bad and of the notions of caring and friendship. While all dogs may be welcome in heaven, the open admission policy doesn't necessarily ensure that a dog is worthy of, or even ready to accept his heav! enly blessing. When criminal dog Charlie Barker (Burt Reynolds! ) and hi s sidekick Itchy (Dom DeLuise) escape from the dog pound, it isn't long before they realize that former business partner-in-crime Carface (Vic Taybak) has turned against them. Carface puts a permanent end to the partnership by killing Charlie, but Charlie ascends to heaven only to spurn his promised life devoid of surprises and fight to return to a life of vengeance, danger, and adventure on earth. When Charlie realizes that Carface has been using the animal-talking talents of young orphan girl named Anne-Marie (Judith Barsi) to further the success of his gambling business, Charlie steals her away and starts his own lucrative business venture. Charlie and Anne-Marie begin to become friends, but Anne-Marie's strong sense of what is right conflicts with Charlie's complete lack of moral standards and puts their friendship at risk. Worse, Charlie's quest for revenge threatens his own life as well as the lives of his friends Anne-Marie and Itchy. (Ages 6 and older) --Tami Hori! uchi

All Dogs Go To Heaven 2

While it pales in comparison to the outstanding animation of its predecessor, Don Bluth's imaginative if somewhat graceless All Dogs Go to Heaven, this 1995 sequel has some nice moments of its own. Charlie Sheen replaces Burt Reynolds as the voice of Charlie Barkin, the afterlife-stranded pooch who sought vengeance against his killer in the previous film but instead discovered the joys of earthly love and community. This time, a bored Charlie, looking for a little adventure, reteams with his old pal Itchy (voiced by Dom DeLuise) to retrieve Gabriel's Horn after it's stolen. Dropping down from Dog Heaven to take on his old nemesis (and killer), Carface (Ernest Borgnine), Charlie falls for a sexy Irish setter (Sheena Easton) and helps a boy caught in a jam. Featuring grand pop songs by the legendary songwriting team of Barry Mann and Cynthia Weil, All Dogs Go to Heaven 2 provides kids with a simpler story ! than Bluth's original film, as well as less unsettling violenc! e. On th e downside, director Paul Sabella, a Hanna-Barbera veteran who produced television's The Smurfs, either can't or won't stretch much as an artist here. --Tom KeoghGet ready for plenty of thrills and excitement as everyone's favorite pups unleash their charm in this lively tale of courage, love and friendship that is captivating entertainment and dog gone good fun for all! All dogs do go to heaven...and some luckyWhile it pales in comparison to the outstanding animation of its predecessor, Don Bluth's imaginative if somewhat graceless All Dogs Go to Heaven, this 1995 sequel has some nice moments of its own. Charlie Sheen replaces Burt Reynolds as the voice of Charlie Barkin, the afterlife-stranded pooch who sought vengeance against his killer in the previous film but instead discovered the joys of earthly love and community. This time, a bored Charlie, looking for a little adventure, reteams with his old pal Itchy (voiced by Dom DeLuise) to retrieve Gabriel's Hor! n after it's stolen. Dropping down from Dog Heaven to take on his old nemesis (and killer), Carface (Ernest Borgnine), Charlie falls for a sexy Irish setter (Sheena Easton) and helps a boy caught in a jam. Featuring grand pop songs by the legendary songwriting team of Barry Mann and Cynthia Weil, All Dogs Go to Heaven 2 provides kids with a simpler story than Bluth's original film, as well as less unsettling violence. On the downside, director Paul Sabella, a Hanna-Barbera veteran who produced television's The Smurfs, either can't or won't stretch much as an artist here. --Tom Keogh

The Exorcist (The Version You've Never Seen)

• Digitally restored both audio and visual
• Special Edition

The account of a young girl who is possessed, and the Exorcist who tries to save her.
Genre: Horror
Rating: UN
Release Date: 3-FEB-2004
Media Type: DVDDirector William Friedkin was a hot ticket in Hollywood after the success of The French Connection, and he turned heads (in more ways than one) when he decided to make The Exorcist as his follow-up film. Adapted by William Peter Blatty from his controversial bestseller, this shocking 1973 thriller set an intense and often-copied milestone for screen terror with its unflinching depiction of a young girl (Linda Blair) who is possessed by an evil spirit. Jason Miller and Max von Sydow are perfectly cast as the priests who risk their sanity and their lives to administer the rites of demonic exorcism, and Ellen Burstyn plays Blair's! mother, who can only stand by in horror as her daughter's body is wracked by satanic disfiguration. One of the most frightening films ever made with a soundtrack that's guaranteed to curl your blood, The Exorcist was mysteriously plagued by troubles during production, and the years have not diminished its capacity to disturb even the most stoical viewers. Don't say you weren't warned! --Jeff Shannon

Back to Black

• Condition: Used - Very Good

FADE TO BLACK takes a look at the rapper’s career, providing a backstage glimpse during the concert and showing how his last album was conceived. Narrated by Jay-Z himself, the film features notable guest performances by Beyonce, Missy Elliott, Mary J. Blige, R. Kelly, Pharrell Williams, Foxy Brown and appearances by P. Diddy and 2004 Grammy-winner Kanye West.Fade to Black is a document of Jay-Z’s self-proclaimed final concert; a grand affair that took place before a sold-out crowd at New York’s Madison Square Garden in November 2003. (But anyone who follows celebrity news knows that Jay-Z was out of retirement and back performing at the Garden just a year later.) Fade to Black is a legitimately powerful record of a truly historic event in the annals of rap. Muttering offhand narration with typical bored, streetwise affect, Jay hails the concer! t as a momentous occasion for being the first time a hip-hop show was allowed to headline at the Garden.

It’s unlikely that the full impact of the live performances will hit home to viewers unfamiliar with Jay-Z and his Roc-A-Fella Records stable of artists. Another frustration is trying to identify the array of visitors who trade raps on Jay’s stage. Included in the star-studded lineup are Missy Elliott, Foxy Brown, Pharell, Ghostface Killah, Beanie Sigel, Memphis Bleek, and R. Kelly. One unmistakable figure--and we do mean figure--is Jay’s squeeze Beyonce, who raises the temperature and the roof with her skimpy outfit, flowing hair, soulful yowl, and sexed-up dance routine that leaves her boyfriend and the whole of Madison Square Garden slack-jawed with animal desire.

Twenty cameras captured the event, and some of the most powerful sequences are sweeping moves across the swirling, blissed-out masses as they lip sync along in perfect unison with Jay-Z’s com! plex, profane, quick-witted raps. Less effective are intermitt! ent cuta way segments that show the artist in various studio settings working up beats and rhymes. These amateurish home video breaks may give some insight to Jay’s perfectionism and dedication to his craft, but they detract from the visceral power of the beautifully executed performance footage. --Ted FryA mysterious figure has broken into Mayuri Kurotsuchi’s laboratory in the Seireitei. Using a scythe-like weapon, the intruder causes Mayuri to go mad and destroy his own lab equipment. Kenpachi rushes to the laboratory as the Seireitei becomes engulfed in a cloud of reishi. When Kenpachi arrives he is greeted by an even greater explosion of reishi that completely devastates the Seiretei. Rukia witnesses this catastrophe from a distance, when the two intruders approach her and use the same scythe that drove Mayuri mad. The intruders then abduct Rukia as she feels something inside of her fade away. Meanwhile, in the World of the Living, Ichigo and Kon experience a strange d! isturbance and head to Kisuke Urahara’s shop for some answers. When Kisuke informs them about the destruction of the Seireitei, the two set out for the Soul Society. What awaits Ichigo in the devastated Seireitei, however, are Soul Reapers who seem to have lost all memory related to both him and Rukia. To make matters worse, the Soul Reapers witness Ichigo’s Hollowfication and suspect him of being the one responsible for the Seireitei’s destruction. Now on the run, Ichigo is forced into a lonely battle against the Soul Reapers who once fought alongside him. Overcoming countless obstacles, Ichigo finally finds Rukia, only to learn she is not herself. Ichigo must find out what happened to Rukia and try to save her before the two are forced to part ways forever!Director Noriyuki Abe and his artists pull out all the stops in Bleach the Movie: Fade to Black (2008), the most dramatic and satisfying of the theatrical features based on Tite Kubo's best-selling manga. A! mistake in Captain Mayuri's research unleashes an explosion o! f serpen tine creatures that bury a third of the Seireitei in a whitish gunk that imprisons anyone caught in it. An eerie-looking girl and a gaunt young man with a scythe capture Rukia, declaring they will destroy her memory so she can stay with them forever. Their power not only erases Rukia's memory, but makes everyone else forget she ever existed. Even Ichigo forgets her, until recollections of their first adventures trouble his dreams. Ichigo charges to the rescue, only to discover that no one in the Seireitei remembers him either--not even his close friends Renji and Hitsugaya. The ultimate source of all the trouble is a parasitic Hollow with a scythe-like tentacle that can sever memories. But Ichigo knows that friendship and loyalty transcend any obstacle a Hollow can create. His courage and unbreakable bonds with Renji, Hitsugaya, Uruhara, and especially Rukia triumph over the sinister Hollow and its wraith-like slaves. Fade to Black boasts a stronger emotional punch th! an the first feature, Memories of Nobody, and more spectacular battles than the second, Diamond Dust Rebellion. The result is a high-energy yet moving film that will delight fans of the long-running Bleach series. (Rated "Teen," suitable for ages 13 and older: violence, grotesque imagery) --Charles SolomonDanny Huston (Robin Hood, Clash of the Titans) stars with Oscar®-winner Christopher Walken (The Deer Hunter) in this twisting mystery-thriller of intrigue, seduction and murder. Arriving in post-WWII Rome to re-kindle his failing career, movie star and director Orson Welles is immediately captivated by a ravishing young actress (Paz Vega, Spanglish). But when her stepfather is killed by an unknown assassin, Welles and his street-wise Italian driver/bodyguard (Diego Luna, The Terminal) are plunged into Rome’s chaotic criminal underworld, where nothing is what it seems, no one can be trusted and the truth…is the deadliest illusion of all.A my! sterious figure has broken into Mayuri Kurotsuchi’s laborato! ry in th e Seireitei. Using a scythe-like weapon, the intruder causes Mayuri to go mad and destroy his own lab equipment. Kenpachi rushes to the laboratory as the Seireitei becomes engulfed in a cloud of reishi. When Kenpachi arrives he is greeted by an even greater explosion of reishi that completely devastates the Seiretei. Rukia witnesses this catastrophe from a distance, when the two intruders approach her and use the same scythe that drove Mayuri mad. The intruders then abduct Rukia as she feels something inside of her fade away. Meanwhile, in the World of the Living, Ichigo and Kon experience a strange disturbance and head to Kisuke Urahara’s shop for some answers. When Kisuke informs them about the destruction of the Seireitei, the two set out for the Soul Society. What awaits Ichigo in the devastated Seireitei, however, are Soul Reapers who seem to have lost all memory related to both him and Rukia. To make matters worse, the Soul Reapers witness Ichigo’s Hollowfication a! nd suspect him of being the one responsible for the Seireitei’s destruction. Now on the run, Ichigo is forced into a lonely battle against the Soul Reapers who once fought alongside him. Overcoming countless obstacles, Ichigo finally finds Rukia, only to learn she is not herself. Ichigo must find out what happened to Rukia and try to save her before the two are forced to part ways forever!Director Noriyuki Abe and his artists pull out all the stops in Bleach the Movie: Fade to Black (2008), the most dramatic and satisfying of the theatrical features based on Tite Kubo's best-selling manga. A mistake in Captain Mayuri's research unleashes an explosion of serpentine creatures that bury a third of the Seireitei in a whitish gunk that imprisons anyone caught in it. An eerie-looking girl and a gaunt young man with a scythe capture Rukia, declaring they will destroy her memory so she can stay with them forever. Their power not only erases Rukia's memory, but makes everyo! ne else forget she ever existed. Even Ichigo forgets her, unti! l recoll ections of their first adventures trouble his dreams. Ichigo charges to the rescue, only to discover that no one in the Seireitei remembers him either--not even his close friends Renji and Hitsugaya. The ultimate source of all the trouble is a parasitic Hollow with a scythe-like tentacle that can sever memories. But Ichigo knows that friendship and loyalty transcend any obstacle a Hollow can create. His courage and unbreakable bonds with Renji, Hitsugaya, Uruhara, and especially Rukia triumph over the sinister Hollow and its wraith-like slaves. Fade to Black boasts a stronger emotional punch than the first feature, Memories of Nobody, and more spectacular battles than the second, Diamond Dust Rebellion. The result is a high-energy yet moving film that will delight fans of the long-running Bleach series. (Rated "Teen," suitable for ages 13 and older: violence, grotesque imagery) --Charles SolomonThe day Kate Callahan steps through the doors ! of KHB as their newest reporter and meets photographer Rich Spencer her world is turned upside down. There is something about the way he caresses her with his eyes, speaks to her without saying a word, and lights her skin aflame with a simple touch that makes her rethink everything she’s ever known. She finds herself faced with an impossible choice, which becomes excruciating when fate steps in and makes the decision for her. Walking along a mountain of heartache and regret, Kate struggles to find a world where love does conquer all.The day Kate Callahan steps through the doors of KHB as their newest reporter and meets photographer Rich Spencer her world is turned upside down. There is something about the way he caresses her with his eyes, speaks to her without saying a word, and lights her skin aflame with a simple touch that makes her rethink everything she’s ever known. She finds herself faced with an impossible choice, which becomes excruciating when fate steps in a! nd makes the decision for her. Walking along a mountain of hea! rtache a nd regret, Kate struggles to find a world where love does conquer all.Hailed by Newsweek Magazine as a cross between Billie Holiday and Lauryn Hill, British soul singer Amy Winehouse's U.S. debut, Back To Black hits the US amid a flurry of accolades, radio and TV buzz unprecedented in recent years for a young siren.

Her brassy mix of emotive vocals tinged with 60's girl-group stylings, sly funk, and anguished jazz, sparked the New York Daily News to crown Back To Black a "marvelous debut that would do Etta James proud" while New Yorker Magazine called her "a fierce English performer whose voice combines the smoky depths of a jazz chanteuse with the heated passion of a soul singer," and Spin Magazine affirming "there's never been A British star quite like her."

Back To Black smolders with a bristling fusion of old school doo-wop/soul inflected uprisings, (the charismatic singer/songwriter wrote or co-wrote all of the songs on the album) brewing instant ! classics such as the Shirley Ellis influenced "Rehab," the Supremes tinged title song "Back To Black," the aching "Wake Up Alone," and the album's closer, "Addicted."Amy Winehouse's second album, Back to Black, is one of the finest soul albums, British or otherwise, to come out for years. Frank, her first album, was a sparse and stripped-down affair; Back to Black, meanwhile, is neither of these things. This time around, she's taken her inspiration from some of the classic 1960's girl groups like the Supremes and the Shangri-Las, a sound particularly suited to her textured vocal delivery, while adding a contemporary songwriting sensibility. With the help of producers Mark Ronson and Salaam Remi, "Rehab" becomes a gospel-tinged stomp, while the title track (and album highlight) is a heartbreaking musical tribute to Phil Spector, with it's echoey bass drum, rhythmic piano, chimes, saxophone and close harmonies. Best of all, though, is the fact that B! ack to Black bucks the current trend in R&B by being unaba! shedly g rown-up in both style and content. Winehouse's lyrics deal with relationships from a grown-up perspective, and are honest, direct and, often, complicated: on "You Know I'm No Good", she's unapologetic about her unfaithfulness. But she can also be witty, as on "Me & Mrs Jones" when she berates a boyfriend with "You made me miss the Slick Rick gig". Back to Black is a refreshingly mature soul album, the best of its kind for years. --Ted Kord

French Kiss

• Condition: New
• Format: DVD

Meg Ryan ("Sleepless in Seattle") and Kevin Kline ("Dave") star in this bouncy romantic comedy about life, love and larceny. When her fiancé is smitten by a beautiful Frenchwoman, Kate (Ryan) flies to Paris determined to win him back. However, nothing prepares her for Luc (Kline), a cunning sexy Frenchman with a gift for gab and a fondness for thievery. A self-proclaimed expert on affairs of the heart, Luc promises to help Kate win back her man. But one star-crossed misadventure after another sweeps them across France, ultimately changing them in ways they never dreamed possible.Meg Ryan emerges bloodied but unbowed from this botched comedy by Lawrence Kasdan (The Big Chill). Ryan plays a woman whose fiancé (Timothy Hutton) leaves her for a Parisian beauty. She jets over to the City of Lights to fight for her man, but an incapacitating fear of fl! ying forces her to seek help from a fellow passenger, a French thief played by Kevin Kline, who then tutors her in the ways of getting her beau back. Kasdan seems incapable of pacing the story, let alone getting a firm grip on its comic tone and intentions. The production sputters and regroups and stalls repeatedly, forcing Ryan, particularly, to find the boundaries of her own screwball performance. --Tom Keogh

Cannes Film Festival 22 x 30 Poster - Style A - in Deluxe Wood Frame

• Cannes Film Festival 22 x 30 Poster - Style A - in Deluxe Wood Frame
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• Movie Poster Art

Filming on location in France during the 1999 Cannes Film Festival, Henry Jaglom goes behind the scenes to explore how movies get made (and unmade). He would know--he's been making them for decades now. In this one, he takes an Altman-meets-Cassavetes approach to his subject. While former actress Alice (Greta Scacchi), for instance, is trying to get her directorial debut off the ground, film icon Millie (Anouk Aimée) is trying to decide between the lead in Alice's indie an! d a (better-paying) cameo in the new Tom Hanks vehicle. As in The Player, Jaglom focuses on several characters and, as in many Cassavetes pictures, the dialogue feels improvised. If Festival in Cannes is less emotionally involving than 1997's Déjà Vu (arguably his best), it still provides a fine showcase for a talented cast, including Maximilian Schell as Millie's husband and Ron Silver as the producer behind the Hanks project. --Kathleen C. FennessyFilming on location in France during the 1999 Cannes Film Festival, Henry Jaglom goes behind the scenes to explore how movies get made (and unmade). He would know--he's been making them for decades now. In this one, he takes an Altman-meets-Cassavetes approach to his subject. While former actress Alice (Greta Scacchi), for instance, is trying to get her directorial debut off the ground, film icon Millie (Anouk Aimée) is trying to decide between the lead in Alice's indie and a (better-paying) cameo ! in the new Tom Hanks vehicle. As in The Player, Jaglom ! focuses on several characters and, as in many Cassavetes pictures, the dialogue feels improvised. If Festival in Cannes is less emotionally involving than 1997's Déjà Vu (arguably his best), it still provides a fine showcase for a talented cast, including Maximilian Schell as Millie's husband and Ron Silver as the producer behind the Hanks project. --Kathleen C. FennessyScreenplay and film stills plus the original movie treatment. Filmed against the backdrop of the world famous Cannes International Film Festival, Henry Jaglom's "Festival in Cannes" is a story that plunges the audience deep into the heart of the funny, touching, sometimes glamourous, often duplicitous world of the haves and have-notes of the International Movie Business. FOR MORE INFORMATION, PLEASE VISIT: TheRainbowStore.comEach year, thousands flock to the Cannes Film Festival, wildly chasing fame, fortune and each other against the picturesque background of the French Riviera. Director Jaglo! m captures all the magic and mayhem as he follows an intriguing cast of characters - a beautiful movie icon (Anouk Aimée), her ex-husband (Maximilian Schell), an actress (Greta Scacchi) trying her first script, a high-powered producer (Ron Silver), an up-and-coming ingenue (Jenny Gabrielle), and a fast-talking entrepreneur (Zack Norman). How their lives and loves entangle make for an unforgettable journey through the very heart of the entertainment world.Filming on location in France during the 1999 Cannes Film Festival, Henry Jaglom goes behind the scenes to explore how movies get made (and unmade). He would know--he's been making them for decades now. In this one, he takes an Altman-meets-Cassavetes approach to his subject. While former actress Alice (Greta Scacchi), for instance, is trying to get her directorial debut off the ground, film icon Millie (Anouk Aimée) is trying to decide between the lead in Alice's indie and a (better-paying) cameo in the new Tom Hanks veh! icle. As in The Player, Jaglom focuses on several chara! cters an d, as in many Cassavetes pictures, the dialogue feels improvised. If Festival in Cannes is less emotionally involving than 1997's Déjà Vu (arguably his best), it still provides a fine showcase for a talented cast, including Maximilian Schell as Millie's husband and Ron Silver as the producer behind the Hanks project. --Kathleen C. FennessyA Nigt In Cannes Featuring B.B. King - Pat metheny and Dave Brubeck // Palais Des Festival, Cannes - January 28th. Pat Metheny with The Heath Brothers: 1. Move to the groove 7:29 Dave Brubeck Quartet: 2. Lover man 7:27 3. Blue rondo a la turk 7:05 4. Ol' Bill Basie 6:23 B.B. King and Orchestra: 5. The Thrill is gone 4:58 6. Guess who 5:47 7. Payin the costto be the boss 6:09Cannes Film Festival 22 x 30 Poster - Style A - in Deluxe Wood Frame

The Devil Came On Horseback

• An up-close, honest, and uncompromising look at the crisis in Darfur, THE DEVIL CAME ON HORSEBACK exposes the ongoing tragedy in Sudan as seen through the eyes of one American witness. Using the exclusive photographs and first hand testimony of former U.S. Marine Captain Brian Steidle, the film goes on an emotionally charged journey into the heart of Darfur, Sudan, where in 2004, Steidle became

The Devil Came on Horseback is an intense, vivid autobiographical report from the heart of violent Darfur and a call to action by a former American Marine who became a military observer for the African Union. The first extensive on-the-ground account of the genocide in Sudan, it leads us through the tragic impact of an Arab government bent on destroying its black African citizens and the frustrating complexity of international inaction. At the same time, it is a powerful memoir of one soldier's ! awakening to conscience and his awkward, heroic transformation from Marine to humanitarian. While bearing witness to unmentionable atrocities, this compelling story offers evidence that the actions of just one committed person have the power to transform the world.

Former United States Marine Brian Steidle served for six months in Darfur as an unarmed military observer for the African Union. There he witnessed first-hand the ongoing genocide, and documented every day of his experience using email, audio journals, notebook after notebook and nearly 1,000 photographs. Gretchen Steidle Wallace, his sister, who wrote this book with Brian, corresponded with him throughout his time in Darfur. Fired upon, taken hostage, a witness to villages destroyed and people killed, frustrated by his mission's limitations and the international community's reluctance to intervene, Steidle resigned and has since become an advocate for the world to step in and stop this genocide.

The De! vil Came on Horseback depicts the tragic impact of an Arab! governm ent bent on destroying its black African citizens, the maddening complexity of international inaction in response to blatant genocide, and the awkward, yet heroic transformation of a formerMarine turned humanitarian. It is a gripping and moving memoir that bears witness to atrocities we have too long averted our eyes from, and reveals that the actions of just one committed person have the power to change the world.

Former United States Marine Brian Steidle served for six months in Darfur as an unarmed military observer for the African Union. There he witnessed first-hand the ongoing genocide, and documented every day of his experience using email, audio journals, notebook after notebook and nearly 1,000 photographs. Gretchen Steidle Wallace, his sister, who wrote this book with Brian, corresponded with him throughout his time in Darfur. Fired upon, taken hostage, a witness to villages destroyed and people killed, frustrated by his mission's limitations and the inte! rnational community's reluctance to intervene, Steidle resigned and has since become an advocate for the world to step in and stop this genocide.

The Devil Came on Horseback depicts the tragic impact of an Arab government bent on destroying its black African citizens, the maddening complexity of international inaction in response to blatant genocide, and the awkward, yet heroic transformation of a formerMarine turned humanitarian. It is a gripping and moving memoir that bears witness to atrocities we have too long averted our eyes from, and reveals that the actions of just one committed person have the power to change the world.

DEVIL CAME ON HORSEBACK - DVD Movie

Batman & Robin Vol. 1: Batman Reborn (Batman & Robin (Quality Paper))

• ISBN13: 9781401229870
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Cryogenic scientist gone wrong, Mr. Freeze wants to turn Gotham City into a frozen wasteland. Poison Ivy has revenge on her mind after a toxic run-in with a Wayne Enterprises scientist. While she has designs on Mr. Freeze, his cold heart is consumed only by his demented plans. With the addition of Batgirl, the dynamic duo become a trio. Will Gotham survive?Batman
Thanks to the ambitious vision of director Tim Burton, the blockbuster hit of 1989 delivers the goods despite an occasionally spotty script, giving the caped crusader a thorough overhaul in keeping with the crime fighter's evolution in DC Comics. Michael Keaton strikes just the right mood as the brooding "Dark Knight" of Go! tham City; Kim Basinger plays Gotham's intrepid reporter Vicki Vale; and Jack Nicholson goes wild as the maniacal and scene-stealing Joker, who plots a takeover of the city with his lethal Smilex gas. Triumphant Oscar-winning production design by the late Anton Furst turns Batman into a visual feast, and Burton brilliantly establishes a darkly mythic approach to Batman's legacy. Danny Elfman's now-classic score propels the action with bold, muscular verve. --Jeff Shannon

Batman Returns
Tim Burton's sequel to his phenomenally successful 1989 "Batman" doesn't try to top the first picture, either with splashier special effects or with loftier pretensions to significance; nor does it simply go through the motions, repeating the surefire stuff with a self-satisfied air of professionalism. It's a blend of playful novelty and reassuring familiarity-a difficult mixture to get right. This time, the hero (again Michael Keaton) does battle with! a greedy businessman named Max Shreck (Christopher Walken) an! d the ro ly-poly arch-criminal known as the Penguin (Danny DeVito). And whenever Batman ventures out on one of his nocturnal crime-fighting missions, he runs into a mysterious woman who dresses like a cat and carries a whip. The hilariously twisted relationship between the hero and the Catwoman (Michelle Pfeiffer) plays like an apache dance in animal costumes, and it's the glory of the movie. The cat clothes seem to release something strange and wild in Pfeiffer: her performance is ferociously sexy and uninhibitedly, over-the-top funny. As in the first movie, Burton gives the material a luxurious masked-ball quality and a sly contemporary wit without violating the myth's low, cheesy comic-book origins. He's an artist who's comfortable with both the higher aspirations and the lower instincts of his nature as an entertainer: he and Batman are an ideal match.

Batman Forever
When Tim Burton and Michael Keaton announced that they'd had enough of the Batman franchise, director Joel Schumacher stepped in (with Burton as coproducer) to make this action-packed extravaganza starring Val Kilmer as the caped crusader. Batman is up against two of Gotham City's most colorful criminals, the Riddler (a role tailor-made for funnyman Jim Carrey) and the diabolical Two-Face (Tommy Lee Jones), who join forces to conquer Gotham's population with a brain-draining device. Nicole Kidman plays the seductive psychologist who wants to know what makes Batman tick. Boasting a redesigned Batmobile and plenty of new Bat hardware, Batman Forever also introduces Robin the Boy Wonder (Chris O'Donnell) whose close alliance with Batman led more than a few critics to ponder the series' homoerotic subtext. No matter how you interpret it, Schumacher's take on the Batman legacy is simultaneously amusing, lavishly epic, and prone to chronic sensory overload. --Jeff Shannon

Batman & Robin
Following Val Kilmer's p! ortrayal of the caped crusader in Batman Forever, the f! ourth Batman feature stars George Clooney under the pointy-eared cowl, with Chris O'Donnell returning as Robin the Boy Wonder. This time the dynamic duo is up against the nefarious Mr. Freeze (Arnold Schwarzenegger), who is bent on turning the world into an iceberg, and the slyly seductive but highly toxic Poison Ivy (Uma Thurman), who wants to eliminate all animal life and turn the Earth into a gigantic greenhouse. Alicia Silverstone lends a hand as Batgirl, and Elle McPherson plays the thankless role of Batman/Bruce Wayne's fiancée. A sensory assault of dazzling colors, senseless action, and lavish sets run amok, this Batman & Robin offers an overdose of eye candy, but it is strictly for devoted Bat-o-philes. --Jeff ShannonNew from the award-winning team behind ALL-STAR SUPERMAN!

Grant Morrison and Frank Quitely, the creative team of ALL-STAR SUPERMAN, reunite to tell the adventures of the all-new Batman and Robin.

The new Dynamic Duo hits the streets! with a bang in their new fl ying Batmobile to face an assemblage of villains called the Circus of Strange. They also tackle their first mission investigating a child who’s been abducted by the mysterious Domino Killer. But will everything go smoothly? And who exactly are the new Batman and Robin? The newest era of The Dark Knight begins here!

Garfield Fat Cat Volume 1

• ISBN13: 9780345464552
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Wild Fun!
 
It’s a safari of fun when Garfield, the fat cat with the elephantine appetite, gets wild and crazy in this all-new collection of comics. Let the adventures begin!Witty, urbane, sassy, and downright delightful, here are the first three original books of pure Garfield collected in one packed volume. They tell the story of the feisty feline's birth, adoption, and growth into general wonderfulness---just in case you've forgotten --and remind us why we loved him like we do.

Don't Move

• Timoteo's life takes a dramatic turn when he discovers that his fifteen year old daughter has been seriously injured in a motorcycle accident. As she undergoes emergency surgery, Timoteo casts his mind back to his illicit affair with the passionate Italia. Based on the novel by Margaret Mazzantini. Format: DVD MOVIE Genre: FOREIGN Rating: NR Age: 720917549125 UPC:&nb

Adapted from the best-selling novel by margaret mazzantini this is a dramatic and emotional story of a love affair between two desperate people. Studio: Genius Products Inc Release Date: 05/08/2007 Starring: Penelope Cruz Claudia Gerini Run time: 125 minutes

EDtv : Widescreen Edition

• Widescreen

Video store clerk Ed agrees to have his life filmed by a camera crew for a TV network.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 4-MAR-2003
Media Type: DVDThe third entry of 1998-99's cinematic TV trilogy kind of got lost in the shuffle following The Truman Show, an art film masquerading as a blockbuster, and Pleasantville, a heartfelt feel-good movie masquerading as a special-effects extravaganza. EDtv is nothing more than it appears: a scruffy comedy about fame and its discontents. Matthew McConaughey stars as Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts Truman by having the protagonist invite the pervasive cameras). Predictably, fame makes him miserable and, un! surprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory in the funnier Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fallen victim to stupid media tricks (McConaughey, Ellen DeGeneres as the network executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, the movie is a mess. It looks as if the filmmakers had the choice between making a fully realized, two-and-a-half-hour-long movie that no one would sit through or one that clocks in under two hours but has a lot of plot holes; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shaggy dog tale it's decent fun. --David KronkeThe third entry of 1998-99! 's cinematic TV trilogy kind of got lost in the shuffle follow! ing T he Truman Show, an art film masquerading as a blockbuster, and Pleasantville, a heartfelt feel-good movie masquerading as a special-effects extravaganza. EDtv is nothing more than it appears: a scruffy comedy about fame and its discontents. Matthew McConaughey stars as Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts Truman by having the protagonist invite the pervasive cameras). Predictably, fame makes him miserable and, unsurprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory in the funnier Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fallen victim to stupid media tricks (McConaughey, Ellen DeGeneres as the netwo! rk executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, the movie is a mess. It looks as if the filmmakers had the choice between making a fully realized, two-and-a-half-hour-long movie that no one would sit through or one that clocks in under two hours but has a lot of plot holes; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shaggy dog tale it's decent fun. --David KronkeIt's the unforgettable story of a nobody...that everybody's watching! Matthew McConaughey and Jenna Elfman star in this hilarious romantic comedy Joel Siegel of Good Morning America calls "Big-Laugh Funny."

Ed Pekurny (McConaughey) is just a regular guy who feels he has nothing to lose by agreeing to be a star of a new reality-based TV show. Almost overnight, the program becomes a hit, and suddenly this goofy but ! engaging video clerk is a national celebrity! Everything's fab! ulous... until Ed falls head-over-heels for Shari (Elfman), the girlfriend of his brother Ray (Woody Harrelson). Suddenly their most private moments become public entertainment - and the ratings go through the roof - as millions of fans tune in to watch a real soap opera filled with comedy and romance.

Superbly directed by Ron Howard and featuring a stellar supporting cast including Elizabeth Hurley, Sally Kirkland, Martin Landau, Ellen DeGeneres, Rob Reiner and Dennis Hopper, EDtv is an outrageous look at instant fame, overnight success, and sharing your life with a few million of your closest fans.The third entry of 1998-99's cinematic TV trilogy kind of got lost in the shuffle following The Truman Show, an art film masquerading as a blockbuster, and Pleasantville, a heartfelt feel-good movie masquerading as a special-effects extravaganza. EDtv is nothing more than it appears: a scruffy comedy about fame and its discontents. Matthew McConaughey stars as ! Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts Truman by having the protagonist invite the pervasive cameras). Predictably, fame makes him miserable and, unsurprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory in the funnier Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fallen victim to stupid media tricks (McConaughey, Ellen DeGeneres as the network executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, the movie is a mess. It looks as if the filmmakers had the choice between making a fully realized, two-and-a-half-hour-long movie that no one would sit thr! ough or one that clocks in under two hours but has a lot of pl! ot holes ; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shaggy dog tale it's decent fun. --David Kronkedvd

Rocky & Bullwinkle & Friends: Complete Season 1

• ROCKY AND BULLWINKLE & FRIENDS-SEASON 1 (DVD MOVIE)

Bullwinkle J. Moose has the world's largest collection of box tops, which makes him the prime suspect when someone starts redeeming counterfeit box tops for goodies in the stores.Rocky is a squirrel and Bullwinkle is a moose and they live off the money from repeats of their cartoon show. They team up with an FBI agent to stop the evil plans of baddies Boris and Natasha led by Fearless Leader who are planning to take over the world. This captivating adventure story is a film with a mix of animation and live action starring Robert DeNiro as Fearless Leader.ADVENTURES OF ROCKY AND BULLWINKLE - DVD MovieThe problem with live-action movies based on beloved cartoon characters is that humans are never as flexible, as unpredictable, or just plain as goofy as their animated counterparts. So it is with this blend of animation and live action. Rocky ! and Bullwinkle remain animated characters (trapped in our reality), while Boris and Natasha (Jason Alexander and Rene Russo), along with their boss, Fearless Leader (Robert De Niro), are transformed from cartoons to human reproductions when they escape from rerun land. They've come to our world to take it over; the FBI springs Rocky and Bullwinkle from the second dimension to stop them. But the writing in Kenneth Lonergan's script lacks the throw-away flair of the jokes that characterized Jay Ward's much-beloved animated series of the late 1950s and early 1960s. Part of the problem is that Russo, Alexander, and De Niro are so obviously working at acting cartoonish, instead of simply being cartoons. And part is that the script rarely comes up with the kind of wonderful wordplay in which Ward specialized. The moose, as usual, gets all the best lines, but they're too few and far between to salvage this underachieving summer film. --Marshall FineMost of the tape is dev! oted to the misadventures of that sterling hero, Dudley Do-Ri! ght of t he RCMP. In one cartoon, Dudley, Snidely Whiplash, Nell, and Inspector Fenwick succumb to the show-biz bug and form a vaudeville act. Even funnier is Snidely confessing to having "a thing" about tying ladies to railroad tracks. He's ready to give himself up, but Nell defends him in a courtroom performance that Portia might envy. Rounding out the program is a visit to the first Mountie by Sherman and Mr. Peabody, Aesop and Son's retelling of "The Hound and the Wolf," and the Fractured Fairy Tale of "The Frog Prince." Rocky and Bullwinkle make only cameo appearances in this collection that includes Mr. Know-It-All explaining how to be a stuntman--er, moose. Also, Bullwinkle enacts "Simple Simon" with Boris as the pie man, but the nursery rhyme quickly degenerates into a variation on Abbot and Costello's "Who's on First" routine. The Jay Ward cartoons are always fun to watch, but at 39 minutes, this tape seems a bit brief. Fans who watch credits may not realize tha! t executive producer "Ponsonby Britt" never existed: Ward and Bill Scott needed one at some point, so they made him up. --Charles SolomonWatch out American television viewers! Rocky and Bullwinkle do battle against Boris Badenov's band of TV antennae-eating rodents. Full color.Whether you're indulging in nostalgia for the cartoons of your youth or introducing your kids to Rocky & Bullwinkle for the first time, Volume 1 of the famous moose and squirrel's animated adventures is a sublime example of irreverent family entertainment. (It's been rated "Fun-E: Viewer Discretion Unnecessary.") The classic creations of Jay Ward Productions, Rocky & Bullwinkle packed more punch lines into a one-hour show than most cartoons manage in seven minutes, and this video leaps from the starting gate with a typically loony escapade. The snidely villains Boris and Natasha are scheming to retrieve "the Treasure of Monte Zoom" from the bottom of Lake Sal-de-Bain by pulling the plug on ! the lake's drainpipe! It's up to Rocky & Bullwinkle to arrive ! in ("Ta- da!") the nick of time--but not before the furry heroes (and the great narrator Paul Frees) serve up a barrage of vaudevillian wordplay that's as clever as it is ludicrous. (One of the show's great strengths was its self-deprecating humor; the writers knew how silly they were being, and were clearly having the time of their lives.)

Also included: Using the "Wayback Machine," Mr. Peabody and Sherman pay a visit to Robinson Crusoe, circa 1686; Bullwinkle tries his hand at poetry, and as "Mr. Know-It-All" provides instruction on how to sneak into movies; a classic segment of "Fractured Fairy Tales" (narrated by the great character actor Edward Everett Horton); and an episode of "Dudley Do-Right" in which Snidely Whiplash masterminds an ill-fated fur-smuggling scheme.

The animation is impossibly crude, but it hardly matters: The Adventures of Rocky and Bullwinkle are best enjoyed for the one-liners and throwaway gags that are likely to entertain grown-ups even more t! han kids. The Marx Brothers would be hard pressed to deliver this much goofy fun. --Jeff ShannonNow here's something you don't see everyday, Chauncey. It's the complete first season of one of television's smartest, savviest, and most subversively funny animated series, ranked by TV Guide as one of the top 50 series of all time. Like the animators at Warner Bros.' Termite Terrace (birthplace of Porky, Daffy, and Bugs), producer Jay Ward, his partner Bill Scott (the voice of Bullwinkle), and the cracked writing staff did not write down to children. The dialogue is witty and sharply satiric. Characters break the "fourth wall" between the screen and the audience. They make sly references to the show's creators and the television network. They hurl barbs of mass destruction at Washington, D.C. politicians. And then there are the godawful puns. This four-disc set contains the series' first two serial adventures. "Jet Fuel Formula" is a cold war-era blast, as Rocky! (voiced by June Foray, the Queen of Cartoons) and Bullwinkle ! frantica lly race to re-create a rocket fuel recipe (actually Grandma Bullwinkle's recipe for mooseberry fudge cake), while being menaced by those no-goodniks Boris Badenov and femme fatale Natasha. "Box Top Robbery" reveals that the basis for the world's economy is not gold and silver, but cereal box tops.

Linking these cliffhanging episodes are such hilarious segments as "Fractured Fairy Tales," which upend familiar storybook favorites (Red Riding Hood, for example, is a predatory fur merchant after the unwitting wolf), "Mr. Peabody," the canine genius who travels through time in the company of his boy, Sherman, and forthright Dudley Do-Right of the Mounties, who must contend with his own horse for the affections of sweet Nell. Bullwinkle gets extra credits as Mr. Know-It-All and as the host of Poetry Corner. And watch him pull a rabbit out of his hat! These cartoons are as fresh and funny as when they first aired more than four decades ago. Boomer-era adults will be amazed at! the jokes that no doubt soared over their heads as children. --Donald Liebenson

Disney Gnomeo & Juliet Complete Set Garden Gnome 12" Figure Plush Doll

• Disney's Gnomeo & Juliet 12" Complete Figure Plush Set
• Brand New
• Limited Quantity

From a director of Shrek 2 comes your chance to step into the secret world of garden gnomes - Gnomeo & Juliet. Perfect for the whole family, this fresh and funny makeover of one of the world's most timeless story features music from Sir Elton John, and the voice talents of Emily Blunt, James McAvoy and sir Michael Caine. Caught up in a feud between neighbors, Gnomeo and Juliet must overcome as many obstacles as their namesakes. But with flamboyant pink flamingoes and epic lawnmower races, can this young couple find lasting happiness? Complete with hilarious never-before-seen bonus features, Gnomeo & Juliet is an out-of-the-ordinary animated comedy your entire family will love. We just gnome it!From a director of Shrek 2 comes your chance to step into the secret world of garden gnomes - Gnome! o & Juliet. Perfect for the whole family, this fresh and funny makeover of one of the world's most timeless story features music from Sir Elton John, and the voice talents of Emily Blunt, James McAvoy and sir Michael Caine. Caught up in a feud between neighbors, Gnomeo and Juliet must overcome as many obstacles as their namesakes. But with flamboyant pink flamingoes and epic lawnmower races, can this young couple find lasting happiness? Complete with hilarious never-before-seen bonus features, Gnomeo & Juliet is an out-of-the-ordinary animated comedy your entire family will love. We just gnome it!It's the age-old story of forbidden love between feuding families, but Shakespeare's classic tragedy Romeo and Juliet becomes quite a comedy when the young lovers in question are different-colored gnomes from backyards on opposite sides of a tall wooden fence. Lured out of their respective gardens by wanderlust and an exotic orchid, Gnomeo (James McAvoy) and Juliet (Emi! ly Blunt) meet and instantly fall in love. Their forbidden lov! e blosso ms with a little help from a plastic pink flamingo named Featherstone (Jim Cummings), and soon life-threatening lawnmower races ensue, an epic battle is staged, and wisteria trees and gnome hats are hacked to bits in the process. Shakespeare himself (Patrick Stewart) makes an appearance and declares that, while this story bears a marked resemblance to one of his own, he's not sure it will end in quite the same way. Shakespunian nuggets of wisdom include "A weed is by any other name, still a weed," and that fairness demands "a hat for a hat," and of course the philosophical question "What's in a gnome?" just has to be asked. Executive producer Elton John's penchant for over-the-top showmanship finds a perfect home in the gnomes' elaborate backyard sets, and his musical score is an effective blend of classic and original songs, including a new collaboration with Lady Gaga called "Hello, Hello." Other legendary musicians lending their talents to the voice cast include Dolly Par! ton and Ozzy Osbourne. This film is funny, engaging, and, with the possible exception of one particularly scantily clad gnome, appropriate for the whole family. (Ages 5 and older) --Tami HoriuchiFrom a director of Shrek 2 comes your chance to step into the secret world of garden gnomes - Gnomeo & Juliet. Perfect for the whole family, this fresh and funny makeover of one of the world's most timeless story features music from Sir Elton John, and the voice talents of Emily Blunt, James McAvoy and sir Michael Caine. Caught up in a feud between neighbors, Gnomeo and Juliet must overcome as many obstacles as their namesakes. But with flamboyant pink flamingoes and epic lawnmower races, can this young couple find lasting happiness? Complete with hilarious never-before-seen bonus features, Gnomeo & Juliet is an out-of-the-ordinary animated comedy your entire family will love. We just gnome it!It's the age-old story of forbidden love between feuding families, but Shakesp! eare's classic tragedy Romeo and Juliet becomes quite a! comedy when the young lovers in question are different-colored gnomes from backyards on opposite sides of a tall wooden fence. Lured out of their respective gardens by wanderlust and an exotic orchid, Gnomeo (James McAvoy) and Juliet (Emily Blunt) meet and instantly fall in love. Their forbidden love blossoms with a little help from a plastic pink flamingo named Featherstone (Jim Cummings), and soon life-threatening lawnmower races ensue, an epic battle is staged, and wisteria trees and gnome hats are hacked to bits in the process. Shakespeare himself (Patrick Stewart) makes an appearance and declares that, while this story bears a marked resemblance to one of his own, he's not sure it will end in quite the same way. Shakespunian nuggets of wisdom include "A weed is by any other name, still a weed," and that fairness demands "a hat for a hat," and of course the philosophical question "What's in a gnome?" just has to be asked. Executive producer Elton John's penchant for over-the-to! p showmanship finds a perfect home in the gnomes' elaborate backyard sets, and his musical score is an effective blend of classic and original songs, including a new collaboration with Lady Gaga called "Hello, Hello." Other legendary musicians lending their talents to the voice cast include Dolly Parton and Ozzy Osbourne. This film is funny, engaging, and, with the possible exception of one particularly scantily clad gnome, appropriate for the whole family. (Ages 5 and older) --Tami HoriuchiBrand New Ships Within 24 - 48 Hours

Murray Old Fashioned Ginger Snaps, 16-Ounce Packages (Pack of 12)

• Traditional ginger snap cookies
• Kosher Dairy
• Ships in Certified Frustration-Free Packaging

GINGER SNAPS - DVD MovieLike Carrie before it, Ginger Snaps uses horror-movie conventions as an inspired metaphor for puberty. When beautiful but reclusive goth teenager Ginger (Katharine Isabelle) is attacked by a monstrous wolf on the eve of her first period, her body starts changing in a big way, as do her suddenly lusty, feral appetites. Director John Fawcett masterfully balances the expectations of teen horror exploitation (blood, bodies, sex, smart dialogue, and good old-fashioned monster-movie scares) with clever black humor and tender sisterly solidarity. Only devoted sister Brigitte (gloomy Emily Perkins) knows the truth, and even as Ginger's abrupt transformation threatens their once unbreakable friendship, bonds of blood and love keep them together: Brigitte di! sposes of Ginger's victims while searching for a cure. Mimi Rogers costars as their dotty but unexpectedly sensitive mom, ready to sacrifice all to protect her daughter. Blood and blood ties have never been more evocative. --Sean Axmaker GINGER SNAPS 2:UNLEASHED - DVD MovieGINGER SNAPS BACK:BEGINNING - DVD MovieLike Carrie before it, Ginger Snaps uses horror-movie conventions as an inspired metaphor for puberty. When beautiful but reclusive goth teenager Ginger (Katharine Isabelle) is attacked by a monstrous wolf on the eve of her first period, her body starts changing in a big way, as do her suddenly lusty, feral appetites. Director John Fawcett masterfully balances the expectations of teen horror exploitation (blood, bodies, sex, smart dialogue, and good old-fashioned monster-movie scares) with clever black humor and tender sisterly solidarity. Only devoted sister Brigitte (gloomy Emily Perkins) knows the truth, and even as Ginger's abrupt transformat! ion threatens their once unbreakable friendship, bonds of bloo! d and lo ve keep them together: Brigitte disposes of Ginger's victims while searching for a cure. Mimi Rogers costars as their dotty but unexpectedly sensitive mom, ready to sacrifice all to protect her daughter. Blood and blood ties have never been more evocative. --Sean Axmaker Ginger and Brigitte, two sisters trapped in suburbia, are obsessed with mayhem, torture and death until they get a taste of the real thing. Bitten by a wild animal, Ginger begins to mature into a sexy, uncontrolled woman, with some nasty canine tendencied.Murray Old Fashioned Gingersnaps take you back to days gone by. They remind you of a time when wheelbarrow races and skipping stones were the order of the day. This tasty, crispy, authentic ginger cookie is the perfect refreshment with an ice-cold glass of milk.

Certified Frustration-Free Packaging
Amazon.com has certified this product's packaging is Frustration-Free. A Frustration-Free Package is easy-to-open and comes without ! excess packaging materials such as hard plastic "clamshell" casings, plastic bindings, and wire ties. It is exactly the same as a traditionally packaged product--we've just streamlined the packaging to be opened without the use of a box cutter or knife and will protect your product just as well as traditional packaging during shipping. Products with Frustration-Free Packaging can frequently be shipped in their own boxes, without the need for an additional shipping box. Learn more.

Breaking and Entering

• BREAKING AND ENTERING may lack the quality and scope of Anthony Minghella s previous work such as THE ENGLISH PATIENT and COLD MOUNTAIN, but it s an interesting, character-driven drama. Jude Law (CLOSER) plays Will, a landscape architect who succeeds in business but finds his personal life is tougher to navigate. He has been with Liv (Robin Wright Penn, FORREST GUMP) for years, but it s difficult

Set against the tragic events of the Oklahoma City bombings, Breaking and Entering follows Christian/Jewish couple Louise and Richard Shapiro as they move from California to rural Michigan with their daughter Molly in an attempt to save their marriage. They find their core beliefs about life and love tested as school counselor Louise's students blame Satan for their homosexuality while Richard's new buddies gather arms to defend themselves against enemies at home and abroad. Pollack's America is divi! ded and splintered, yet she writes with hope and humor...Breaking and Entering challenges the stereotypes we hold about our fellow Americans, reminding us of the unexpected bonds that can form across the divide between so-called Red and Blue states.

An A to Z introduction for anyone who wants to get their feet wet in film production.(Drama) A sexy and steamy story about a disparate group of Londoners connected by a string of burglaries and a passionate affair.The atmospheric and erotically charged Breaking and Entering reunites director Anthony Minghella with Jude Law (The Talented Mr. Ripley, Cold Mountain) and the haunting Juliette Binoche (The English Patient, for which she and Minghella won Academy Awards). Law fully invests himself as pre-occupied landscape architect Will Francis, who with his partner (Martin Freeman from the original British version of The Office), is heading a gentrification project in London's seedy, crim! e-plagued King's Cross neighborhood. At home, he and Liv (Robi! n Penn W right), his morose Swedish-American girlfriend of 10 years, are increasingly estranged over the demands of his job and of caring for Liv's autistic daughter, a 13-year-old aspiring gymnast. Will, hiding his identity, begins an affair with Amira (Binoche), the mother of a youth who has twice ransacked Will's office. Amira is a Bosnian refugee with a fierce survival streak that is not above blackmail when she learns who Will is. This is Minghella's first original screenplay since his little-known romantic gem Truly Madly Deeply. The dialogue has Woody Allen pretensions: A cleaning woman who comes under suspicion for the break-ins invokes Kafka. A prostitute (Vera Farmiga giving the film's liveliest performance) has a philosophical bent. Will himself ham-handedly explains how he much prefers metaphors to straightforward communication (he'd love this film's title). An art-house film with an A-list cast and wrenching performances, Breaking and Entering couldn't get ! arrested in theatres, but it is a fine addition to Crash and other liberal-minded "them and us" dramas. --Donald Liebenson

PS3 Eagle Eye Mouse and Keyboard Converter

• Converts your USB keyboard and mouse into a Playstation 3 controller
• Easy Plug and Play setup. Fully customize your keys and start playing in minutes
• Designed with first person shooter games in mind. Aim better and move more accurately, move faster. Ownage never becomes easier!
• Equipped with a high-capacity CPU resulting in fluid mouse movement, no delays or dead zones!

Genre: Action/Adventure
Rating: PG13
Release Date: 27-DEC-2008
Media Type: DVDThe "cell phone thriller" is becoming a genre unto itself, and Eagle Eye should be considered a key example of the form. Frankly preposterous but compulsively watchable, this movie puts Shia LaBeouf in a mess of trouble instigated by a mysterious telephone voice. If he doesn't follow orders, dire things will happen--although when he does follow orders, the consequences are pretty! dire, anyway. Also being blackmailed is a single mom (Michelle Monaghan) receiving similar phone calls. Why are they being jerked around by the purring female voice, and why is the road leading to Washington, D.C.? Actually, you won't have time to contemplate these questions, because director D.J. Caruso (who guided LaBeouf in Disturbia) keeps the action going at the customary breakneck pace. This is a wise move, because the real questions you'd likely be asking have to do with the plausibility of events on a minute-by-minute basis (most notably: how could Mysterious Phone Voice possibly know that the two pigeons would survive the hoops she makes them fly through, each one more death-defying than the last?). The actors tumble through this mayhem like scattering bowling pins, including Billy Bob Thornton and Rosario Dawson as government agents. Nobody has time to make much of an impression, and LaBeouf has much less room for puppydog charm than he did in Disturbia! . Even that would be all right within the movie's berserk ! paramete rs, but the really irritating thing is the way the tacked-on final scenes reverse what would have been a heroic climax. No guts, no glory. --Robert Horton




Stills from Eagle Eye (Click for larger image)

Genre: Action/Adventure
Rating: PG13
! Relea se Date: 27-DEC-2008
Media Type: Blu-RayThe "cell phone thriller" is becoming a genre unto itself, and Eagle Eye should be considered a key example of the form. Frankly preposterous but compulsively watchable, this movie puts Shia LaBeouf in a mess of trouble instigated by a mysterious telephone voice. If he doesn't follow orders, dire things will happen--although when he does follow orders, the consequences are pretty dire, anyway. Also being blackmailed is a single mom (Michelle Monaghan) receiving similar phone calls. Why are they being jerked around by the purring female voice, and why is the road leading to Washington, D.C.? Actually, you won't have time to contemplate these questions, because director D.J. Caruso (who guided LaBeouf in Disturbia) keeps the action going at the customary breakneck pace. This is a wise move, because the real questions you'd likely be asking have to do with the plausibility of events on a minute-by-minute basis ! (most notably: how could Mysterious Phone Voice possibly know that the two pigeons would survive the hoops she makes them fly through, each one more death-defying than the last?). The actors tumble through this mayhem like scattering bowling pins, including Billy Bob Thornton and Rosario Dawson as government agents. Nobody has time to make much of an impression, and LaBeouf has much less room for puppydog charm than he did in Disturbia. Even that would be all right within the movie's berserk parameters, but the really irritating thing is the way the tacked-on final scenes reverse what would have been a heroic climax. No guts, no glory. --Robert Horton




Stills from Eagle Eye (Click for larger image)

!

Aim better, move faster, ownage never comes easier. The Eagle Eye Converter lets you use a keyboard and mouse to control the game instead of a traditional PS3 hand-held controller. Customize your keys and start playing within minutes. The Eagle Eye is equipped with high-capacity CPU, making the mouse movement fluid with no delay and no dead-zone. Remember how easy it was to play first person shooters on a PC? Bring that experience to your PS3!

Children of Huang Shi - Laminated Movie Poster - 11 x 17 Inch (28cm x 44cm)

• You are looking at a beautiful, professionally laminated poster.
• Lamination is a cost effective way to extend the life of your print or poster.
• Rolled and shipped in a sturdy tube.
• Clear lamination is an effective solution for protecting your print or poster from fading, dirt, fingerprints, moisture, bends, tears and rips.
• This poster is from Children of Huang Shi (2008)

Set in war-ravaged China during the late 1930s, Huang Shi is based on true events. It's the story of a young Englishman, George Hogg (Rhys Meyers), who led sixty orphaned boys on a journey across the Liu Pan Shan mountains to safety on the edge of the Mongolian desert.The Children of Huang Shi is a powerful, inspiring film about a real-life, outsider hero who emerged from Japan's catastrophic invasion of China in 1937. A British journalist, George Hogg (Jonathan Rhys Meyers) s! neaks into Nanjing at the height of Japan's destruction of that cosmopolitan city. Rescued from certain death by a suave rebel named Chen Hansheng (Chow Yun-Fat), Hogg goes deep into China's countryside in search of another front to the war. Instead of furthering his career, however, Hogg is talked into taking control of a destitute orphanage occupied by starving, lice-ridden, half-savage boys. A roving nurse, Lee Pearson (Radha Mitchell), keeps Hogg focused on his task, provides him with medical supplies, and ultimately becomes his lover. But the former reporter has to figure many things out on his own, including how to inspire the boys to help fend for themselves.

With the Japanese closing in on the orphanage and the Chinese looking at the boys as likely soldiers, Hogg, Pearson, and Hansheng lead the kids on an extraordinarily strenuous, 700-mile hike to Marco Polo's so-called Silk Road, leading to the Gobi Desert. The second half of The Children of Huang Shi ! is taken up by this sometimes deadly labor, and director Roger! Spottis woode balances the dreariness of it with knockout images of mountains and eerie, desert vistas. The multi-national cast is the best thing about the film, which avoids canonizing the saintly Hogg by not ignoring his sins of pride (he refers to the kids as "my boys" to the wrong Chinese authority, and pays the price) and jealousy. Chow's jaunty persona adds an essential swagger to this Schindler's List-like story, but it's Mitchell's gritty, soul-weary performance that really grabs one's attention. --Tom Keogh

Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lex! icon in the sharing of human knowledge. This particular book contains chapters focused on Films set in Jiangsu, and Nanking Massacre films.Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Nanking Massacre films.Bron: Wikipedia. Pagina's: 33. Hoofdstukken: The Voyage that Shook the World, Bangkok Hilton, Mad Max, The Black Balloon, The Children of Huang Shi, Mad Max 2, Disgrace, Mary and Max, Babe, Mad Max Beyond Thunderdome, Babe: Pig in the City, Dying Breed, The Phantom, Moulin Rouge! !, Alexandra's Project, The King's Speech, Crocodile Dundee, P! aradise Road, Australia, Crocodile Dundee II, Vinyan, De cup, Rogue, The Year of Living Dangerously, Jindabyne, The Jammed, Death Defying Acts, Dead Calm, Wolf Creek, Muriel's Wedding, 20,000 Leagues Under the Sea, Black Water, The Adventures of Priscilla, Queen of the Desert, Aquamarine, The Pirate Movie, Candy, Gallipoli, Rabbit-Proof Fence, The Proposition, Thunderstruck, The Chain Reaction, Three to Tango, Komodo, Salute of the Jugger, Attack Force Z, Red Flag over Tibet, December Boys, Storm Warning, Dingo, Holy Smoke, The Crocodile Hunter: Collision Course, Swimming Upstream. Uittreksel: The Voyage that Shook the World (ook: Darwin: The Voyage that Shook the World) is een gedramatiseerde anti-evolutionaire documentaire uit 2009 van Creation Ministries International, een jongeaardecreationistische organisatie. Het is geproduceerd door Fathom Media. In de film worden de evolutietheorie, intelligent design en creationisme belicht. De titel van de film verwijst naar de reis met he! t schip de Beagle die Charles Darwin van 1831 tot 1836 maakte. De film werd uitgebracht ter gelegenheid van feit dat Charles Darwin 200 jaar geleden was geboren evenals het feit dat 150 jaar geleden zijn werk De oorsprong der soorten werd uitgebracht. Charles Darwin in 1816, op zevenjarige leeftijd. Reis van de Beagle.De film begint met een beschrijving van Charles Darwin als kind: Darwin was iemand die over alles vragen stelde evenals iemand die er van hield om grootse verhalen te bedenken en vertellen. Darwin werd geboren in een gelovig gezin. Zijn grootvader Erasmus Darwin en tijdgenoot Josiah Wedgwood worden genoemd als vrijdenkende rationalisten...Forrás: Wikipedia. Oldalak: 24. Fejezetek: Félelem nélkül, Tigris és sárkány, Secret, Confucius, Aranyvirág átka, The Warlords, The Children of Huang Shi, A tiltott királyság, Ocean Heaven, Initial D, Ellenséges vágyak, 2046, True Legend, Kung Fu Dunk, Old Boys, A repülÅ' tÅ'rök klánja, Shaolin templom, The So! rcerer and the White Snake, A karate kölyök, HÅ's, A pofonok! földje , Jackie Chan: A katona, The Flying Swords of Dragon Gate, The Battle of Dingjunshan, Shaolin harcművészete, A bosszú harcosa, Shaolin templom 2., The Knot, Sanghaji Filmkritikusok Díja. Idézet: A Félelem nélkül (Huo Yuan Jia, egyszerűsített kínai írásmóddal: 霍元ç"², magyaros átírással: Huo Jüan-csia, nemzetközi címe: Fearless illetve Jet Li's Fearless; alternatív magyar cím: A küzdelem útja) című kínai harcművészeti film Jet Li utolsó )filmjeként készült. A film ) életének egyes állomásait mutatja be, gyerekkorától egészen haláláig. A rendezÅ' Ronny Yu, a harckoreográfiát ) készítette, a zenét Umebajasi Sigeru szerezte, a film betétdalát a népszerű kínai popsztár, Jay Chou énekli. A film Jet Li ötlete alapján készült, aki a harcművészet lényegét összefoglaló alkotást szeretett volna létrehozni, mely a saját életfilozófiáját is közvetíti. A filmet 2005 tavas! zán kezdték forgatni, a kilencvennapos munkálatok júliusban fejezÅ'dtek be. A film viszonylag kevés drótköteles rásegítést és CGI-effektet alkalmaz, mert a rendezÅ' eltökélt szándéka volt, hogy hagyja Li harcművészetét érvényesülni. Li ellenfelei a filmben valódi harcművészek és sportolók, Nakamura Sidó kivételével. ) minden vágya, hogy harcművészetet tanuljon híres harcművész édesapjától, ám a kisfiú asztmás, így szigorú apja nem engedi meg neki, helyette írást kell tanulnia. A kisfiú azonban, miután apját legyÅ'zi a rivális iskola vezetÅ'je, elhatározza, hogy Å' lesz a környék legnagyobb harcosa és sosem fog veszíteni. Ellopja apja harcművészetet oktató könyvét és megkéri legjobb barátját, hogy másolja le ...Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedi! a articles and images under Creative Commons licensing, althou! gh as He phaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book contains chapters focused on Second Sino-Japanese War films, and Nanking Massacre films.MovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed and laminated posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.