Saturday, January 14, 2012

Breaking and Entering

  • BREAKING AND ENTERING may lack the quality and scope of Anthony Minghella s previous work such as THE ENGLISH PATIENT and COLD MOUNTAIN, but it s an interesting, character-driven drama. Jude Law (CLOSER) plays Will, a landscape architect who succeeds in business but finds his personal life is tougher to navigate. He has been with Liv (Robin Wright Penn, FORREST GUMP) for years, but it s difficult
Set against the tragic events of the Oklahoma City bombings, Breaking and Entering follows Christian/Jewish couple Louise and Richard Shapiro as they move from California to rural Michigan with their daughter Molly in an attempt to save their marriage. They find their core beliefs about life and love tested as school counselor Louise's students blame Satan for their homosexuality while Richard's new buddies gather arms to defend themselves against enemies at home and abroad. Pollack's America is divi! ded and splintered, yet she writes with hope and humor...Breaking and Entering challenges the stereotypes we hold about our fellow Americans, reminding us of the unexpected bonds that can form across the divide between so-called Red and Blue states.

An A to Z introduction for anyone who wants to get their feet wet in film production.(Drama) A sexy and steamy story about a disparate group of Londoners connected by a string of burglaries and a passionate affair.The atmospheric and erotically charged Breaking and Entering reunites director Anthony Minghella with Jude Law (The Talented Mr. Ripley, Cold Mountain) and the haunting Juliette Binoche (The English Patient, for which she and Minghella won Academy Awards). Law fully invests himself as pre-occupied landscape architect Will Francis, who with his partner (Martin Freeman from the original British version of The Office), is heading a gentrification project in London's seedy, crim! e-plagued King's Cross neighborhood. At home, he and Liv (Robi! n Penn W right), his morose Swedish-American girlfriend of 10 years, are increasingly estranged over the demands of his job and of caring for Liv's autistic daughter, a 13-year-old aspiring gymnast. Will, hiding his identity, begins an affair with Amira (Binoche), the mother of a youth who has twice ransacked Will's office. Amira is a Bosnian refugee with a fierce survival streak that is not above blackmail when she learns who Will is. This is Minghella's first original screenplay since his little-known romantic gem Truly Madly Deeply. The dialogue has Woody Allen pretensions: A cleaning woman who comes under suspicion for the break-ins invokes Kafka. A prostitute (Vera Farmiga giving the film's liveliest performance) has a philosophical bent. Will himself ham-handedly explains how he much prefers metaphors to straightforward communication (he'd love this film's title). An art-house film with an A-list cast and wrenching performances, Breaking and Entering couldn't get ! arrested in theatres, but it is a fine addition to Crash and other liberal-minded "them and us" dramas. --Donald Liebenson

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