The Hangover (Rated Single-Disc Edition)

• Condition: New
• Format: DVD
• Color; Dolby; Dubbed; DVD; Full Screen; Subtitled; Widescreen; NTSC

From The Hangover director Todd Phillips, Due Date throws two unlikely companions together on a road trip that turns out to be as life-changing as it is outrageous. Expectant first-time father Peter Highman (Robert Downey Jr.) looks forward to his new child’s due date five days away. As Peter hurries to catch a flight home from Atlanta to be at his wife’s side for the birth, his best intentions go completely awry when an encounter with aspiring actor Ethan Tremblay (Zach Galifianakis) forces Peter to hitch a ride with Ethan on a cross-country trip that will ultimately destroy several cars, many friendships and Peter’s last nerve.Due Date is such a broad comedy, it needs the width of the whole United States in which to play out. Directo! r Todd Phillips (The Hangover) lets the gross-out comedic charms of his frequent star Zach Galifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine Months with a little of The Odd Couple thrown in. The writing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, who's a version of every character Galifianakis has played to date--slovenly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of hi! s first child than to hitch a ride with Ethan. If the situatio! n is som ewhat predictable, the comedic moments are not--though by halfway though the trip, viewers may wonder if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyFrom The Hangover director Todd Phillips, Due Date throws two unlikely companions together on a road trip that turns out to be as life-changing as it is outrageous. Expectant first-time father Peter Highman (Robert Downey Jr.) looks forward to his new child’s due date five days away. As Peter hurries to catch a flight home from Atlanta to be at his wife’s side for the birth, his best intentions go completely awry when an encounter with aspiring actor Ethan Tremblay (Zach ! Galifianakis) forces Peter to hitch a ride with Ethan on a cross-country trip that will ultimately destroy several cars, many friendships and Peter’s last nerve. Due Date is such a broad comedy, it needs the width of the whole United States in which to play out. Director Todd Phillips (The Hangover) lets the gross-out comedic charms of his frequent star Zach Galifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine Months with a little of The Odd Couple thrown in. The writing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, w! ho's a version of every character Galifianakis has played to d! ate--slo venly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of his first child than to hitch a ride with Ethan. If the situation is somewhat predictable, the comedic moments are not--though by halfway though the trip, viewers may wonder if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyDue Date is such a broad comedy, it needs the width of the whole United States in which to play out. Director Todd Phillips (The Hangover) lets the gross-out comedic charms of his frequent star Zach Ga! lifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine Months with a little of The Odd Couple thrown in. The writing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, who's a version of every character Galifianakis has played to date--slovenly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of his first child than to hitch a ride with Ethan. If the situation is somewhat predictable, the comedic! moments are not--though by halfway though the trip, viewers m! ay wonde r if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyMovie Summary A first time expectant father has an adventurous trip with an aspiring actor while travelling cross country to be with his expecting wife. DVD Details * Actor(s): Robert Jr. Downey * Format: Widescreen * Soundtrack: English * Additional: Additional Footage Behind the Scenes Include Digital Copy * Rating: R * MSRP: $35.99 * Release Date: 2 22 2011 * Number of Discs: 2A las vegas-set comedy centered around three groomsmen who lose their about-to-be-wed buddy during their drunken misadventures then must retrace their steps in order to find him. Studio: Warner Home Video Rele! ase Date: 12/15/2009 Starring: Bradley Cooper Heather Graham Run time: 100 minutes Rating: RIf you like your humor broadside up, hold the subtlety, you'll want to nurse this Hangover with your best buds. The ensemble cast meshes perfectly--it's like a super-R-rated episode of Friends: silly, slapstick, and completely in the viewer's face. When four pals go to Vegas to celebrate the imminent nuptials of one of them, they partake in a rooftop toast to "a night we'll never forget." But they're in for a big surprise: their celebration drinks were laced with date-rape drugs, so when they awake in their hotel room 12 hours later, not only are they hung over, but they can't remember what they did all night long. Oh, and they're missing the groom-to-be.

The film is so cheerfully raunchy, so fiercely crude, that the humor becomes as intoxicating as the mind-altering substances. The standout in the ensemble is Zach Galifianakis, who is alternately creepy and hilar! ious. Ed Helm (The Office), in addition to his memory, ! loses a tooth in uncomfortably realistic fashion, and Bradley Cooper (He's Just Not That into You) has deadpan comic timing that whips along at the speed of light. "Ma'am, you have an incredible rack," he blares to a pedestrian from the squad car the guys have "borrowed." "I should have been a [bleeping] cop," he tells himself approvingly.

Director Todd Phillips brings back his deft handling of the actors and the dude humor that worked so well in Old School, as well as the unctuous Dan Finnerty, memorable as a lounge/wedding singer in both films. But it's the nonstop volley of jokes--most cheerily politically incorrect--that grabs the audience and thrashes it around the hotel room. Just watch out for the tiger in the bathroom. --A.T. Hurley

The Limits of Control

• Condition: New
• Format: DVD
• AC-3; Color; Dolby; DVD; Subtitled; Widescreen; NTSC

Celebrated writer-director Jim Jarmusch (Mystery Train) serves up this witty and intoxicating brew that's "as addictive as caffeine" (Richard Roeper, "Ebert & Roeper and the Movies") and "as buzzy and ephemeral as, well, coffee and cigarettes" (LA Weekly)! "Sneakily delirious [and] way cool" (Time), this "funny cluster of eleven stories" (Rolling Stone) delivers "inspired eccentric match-ups" (The Hollywood Reporter) from an incredible all-star cast, making Coffee and Cigarettes an absolute must for fans of film, fun and fantastic wit!Now here is a movie that's practically perfect for DVD. Shot over many years with eccentric actors, Jim Jarmusch's collection of black-and-white vignettes is as uneven as a collection of music videos (without songs). Even with the dull spots and the drop-dead-hip ambi! ance, there's something touching about this parade of frazzled people holding on to their coffee and cigarettes like life rafts--especially in the final sequence with Taylor Mead. There are some severely misconceived pieces, but the best are a treat: Alfred Molina and Steve Coogan in a hilarious Hollywood encounter, Tom Waits and Iggy Pop getting off on the wrong foot in a funky diner, and Cate Blanchett doing a dual role as herself and a jealous cousin. Bill Murray can't save one underwritten piece, but Jack and Meg White are amusing in an absurdist blackout. Use the Scene Selection menu, and revel in the fetishizing of java and butts. --Robert HortonNow here is a movie that's practically perfect for DVD. Shot over many years with eccentric actors, Jim Jarmusch's collection of black-and-white vignettes is as uneven as a collection of music videos (without songs). Even with the dull spots and the drop-dead-hip ambiance, there's something touching about this parade o! f frazzled people holding on to their coffee and cigarettes li! ke life rafts--especially in the final sequence with Taylor Mead. There are some severely misconceived pieces, but the best are a treat: Alfred Molina and Steve Coogan in a hilarious Hollywood encounter, Tom Waits and Iggy Pop getting off on the wrong foot in a funky diner, and Cate Blanchett doing a dual role as herself and a jealous cousin. Bill Murray can't save one underwritten piece, but Jack and Meg White are amusing in an absurdist blackout. Use the Scene Selection menu, and revel in the fetishizing of java and butts. --Robert HortonALL PRODUCTS BRAND NEW, GUARANTEED AND FACTORY SEALED, GREAT PRODUCTS AND EXCELENT SERVICE (IDIOMA:INGLES,SUBTITULOS:ESPANOL,DURACION:96 MINS)A comic series of short vignettes built on one another to create a cumulative effect, as the characters discuss things as diverse as caffeine popsicles, Paris in the '20s, and the use of nicotine as an insecticide--all the while sitting around sipping coffee and smoking cigarettes. As director Jim Ja! rmusch delves into the normal pace of our world from an extraordinary angle, he shows just how absorbing the obsessions, joys and addictions of life can be, if truly observed.Jarmusch films always deliver an eclectic soundtrack, and Coffee And Cigarettes is no exception. The music plays in the background as you're watching, but in the forefront when you're remembering. Using different genres from the 50s, 60s and 70s, the music in the film creates a hip and absorbing soundtrack to a new classic film from the master of indie cinema.When fate lands 3 hapless men - an unemployed disc jockey a small-time pimp & a strong-willed italian tourist - in a louisiana prison their singular adventure begins. Studio: Image Entertainment Release Date: 10/22/2002 Starring: John Lurie Roberto Benigni Run time: 107 minutes Director: Jom JarmuschAfter creating one of the breakthrough movies of the American independent cinema, Stranger than Paradise, Jim Jarmusch stayed right in the! same minimalist, oddball, black-and-white groove. Down by ! Law takes place in Louisiana, where two losers (musicians Tom Waits and John Lurie) find themselves stuck in a jail cell together. One day they are joined by a boisterous Italian (Roberto Benigni), and the chemistry changes--suddenly an escape attempt is on the horizon. Conventional drama is not Jarmusch's intention; one of the emotional high points of this movie is the three guys marching around their prison cell shouting, "I scream, you scream, we all scream for ice cream!" Yet the deadpan style creates its own humorous mood, underscored by melancholy (also underscored by the music of Lurie and the gravel-voiced songs of Waits). This was the first American film for Roberto Benigni, the Italian comedian (Life Is Beautiful), and he lights it up with his effervescent clowning. Jarmusch has said that Down by Law forms a loose trilogy with Stranger than Paradise and the subsequent Mystery Train, a triptych of disaffected, drifting life in the United Stat! es. Few filmmakers have ever surveyed ennui so entertainingly. --Robert Horton Acclaimed filmmaker Jim Jarmusch delivers a stylish and sexy new thriller about a mysterious loner (De Bankolé) who arrives in Spain with instructions to meet various strangers, each one a part of his dangerous mission. Featuring an all-star international cast that includes Isaach De Bankolé, Gael García Bernal, John Hurt, Tilda Swinton and Bill Murray, it’s a stunning journey in an exotic Spanish landscape that simmers with heat and suspense.Jim Jarmusch has been the cinema's deadpan poet of lives in transit, from his breakthrough feature Stranger Than Paradise (1984) to Broken Flowers (2005). Limits of Control pretty much consists of deadpan and transit as it follows--make that contemplates--the mission of an enigmatic hitman through some picturesque but sparsely populated corners of Spain. Whom this "Lone Man" (Isaach De Bankolé) is supposed to kill and why ar! e matters not shared with the viewer. Neither is the content o! f the va rious minuscule messages Lone Man periodically receives, reads, then swallows. Presumably they cue the next stage of his itinerary, which includes encounters with John Hurt as a guitar-toting philosophe who disdains the word "bohemian," Tilda Swinton as a platinum-blonde-wigged femme fatale emulating Rita Hayworth in The Lady from Shanghai (and reminding us that that glorious movie made no sense either), and Pas de la Huerta as a young woman called, with incontrovertible aptness, "Nude." Throughout, De Bankolé's magnificent carven-ebony features register little, not even exasperation that every conversation begins with someone saying to Lone Man, "You don't speak Spanish, do you?"--in Spanish.

Most of the little that's said in Limits of Control is stuff like "Everything is subjective ... Reality is arbitrary ... Life is a handful of dust" (though that gets translated as "Life is a handful of dirt"). You've gathered by now that no way is this a thri! ller, although it teases against the outline of one. Its hipster self-consciousness includes name-dropping (Eliot, Rimbaud, Hitchcock; the title is from William Burroughs), homage (Citizen Kane, Contempt, De Chirico), and quite a bit of cutting from paintings to actual scenes that resemble them, and vice versa. It's all impeccably shot by Christopher Doyle, who knows just how to light De Bankolé and his dark monochrome outfits against dark monochrome backgrounds, and make us glad he does. Otherwise, Limits of Control pales in comparison to Jarmusch's other film centered on a taciturn black assassin, Ghost Dog: The Way of the Samurai (1999), with Forest Whitaker. There the minimalist narrative took on an aura of ritual, devotion, and genuine mystery. The rituals being observed in Limits of Control feel empty and played out. --Richard T. Jameson

ASUS Transformer Prime TF201-C1-GR 10.1-Inch 64GB Tablet (Amethyst Gray)

• Android 3.2 Honeycomb Operating System
• NVIDIA Tegra 3 Mobile Processor
• 10.1-inch WXGA Super IPS+ Capacitive Multi Touch Display
• 64GB eMMC Flash; 1GB DDR2 Memory
• Eee Pad Transformer Docking Keyboard Not Included

NEWLY REVISED AND EXTENDED...

Dr. Rachel Evans, specialist in ancient languages and extinct cultures, would do anything to get the promotion she’s been passed over for twice before. That includes traipsing through an uncharted piece of jungle, known for being a land based Bermuda Triangle, with the man she hates more than any human being on the planet â€" her boss, Professor Donald Rumsinger.

What she doesn’t anticipate is being sacrificed by Donald to ensure their native guides’ continued cooperation on the expedition, or being rescued by a Tarzan-like sex god named Eros, who claims she’s his prophesied mate.

To ! make matters worse, Eros believes he is the King of the Atlanteans and that once the mating ceremony has taken place they’ll bear a child together who will lead his people off Earth and back to their home planet. Talk about delusions.

Rachel wants adventures and the sex with Eros is to die for, but is it worth letting go of her old life and past hurts? Is she strong enough to take her rightful place at Eros’s side as Queen of the Atlanteans? Or will she return to a tiny New York apartment to revel in her job promotion, forgetting all about the sultry nights she spent in Eros’s strong arms? Only time will tell…and it’s not talking.

Warning: This title contains adult language, explicit sex, and jungle sex. In other words...sex! Also contains themes of kidnap and seduction, which might offend some readers.NEWLY REVISED AND EXTENDED...

Dr. Rachel Evans, specialist in ancient languages and extinct cultures, would do anything to get the prom! otion she’s been passed over for twice before. That includes! traipsi ng through an uncharted piece of jungle, known for being a land based Bermuda Triangle, with the man she hates more than any human being on the planet â€" her boss, Professor Donald Rumsinger.

What she doesn’t anticipate is being sacrificed by Donald to ensure their native guides’ continued cooperation on the expedition, or being rescued by a Tarzan-like sex god named Eros, who claims she’s his prophesied mate.

To make matters worse, Eros believes he is the King of the Atlanteans and that once the mating ceremony has taken place they’ll bear a child together who will lead his people off Earth and back to their home planet. Talk about delusions.

Rachel wants adventures and the sex with Eros is to die for, but is it worth letting go of her old life and past hurts? Is she strong enough to take her rightful place at Eros’s side as Queen of the Atlanteans? Or will she return to a tiny New York apartment to revel in her job promotion, forgetting all ! about the sultry nights she spent in Eros’s strong arms? Only time will tell…and it’s not talking.

Warning: This title contains adult language, explicit sex, and jungle sex. In other words...sex! Also contains themes of kidnap and seduction, which might offend some readers.

A truly remarkable work of art that is already one of the most talked-about book of the season.

"A shockingly imaginative graphic novel that captures the sense of adventure and wonder that surrounds a new arrival on the shores of a shining new city. Wordless, but with perfect narrative flow, Tan gives us a story filled with cityscapes worthy of Winsor McCay." -- Jeff Smith, author of Bone
"A magical river of strangers and their stories!" -- Craig Thompson, author of Blankets
"Magnificent." -- David Small, Caldecott Medalist

Cat, Kassie, Sian and Loi are anything but damsels in distress. Fed up with a lack of decent male specimens they cast a love spell in the hopes of f! inding their soul-mates. And inadvertently land themselves on ! another planet. Oops!

The Arrival, follows the girls' adventures as they stumble through a foreign and often hostile world where humans are NOT at the top of the food chain. Friendships are forged and love teeters on the horizon while the threat of civil war looms thanks to the girls' very unexpected 'gifts'. Will the girls master these gifts in time to survive a war in which, not only are they the ultimate weapons, but also the ultimate prize?
 

Book two of The BirthRight Trilogy - Awakening - is now available.

 

A note to the potential reader, this book utilizes multiple POV - if you click the 'Look Inside' button over the cover on this page, you can read the sample to see if it's to your liking.

 

This book has been re-uploaded on 29/11/11 to include a map and glossary of characters. It has also been fully re-formatted and edited.

Cat! , Kassie, Sian and Loi are anything but damsels in distress. Fed up with a lack of decent male specimens they cast a love spell in the hopes of finding their soul-mates. And inadvertently land themselves on another planet. Oops!

The Arrival, follows the girls' adventures as they stumble through a foreign and often hostile world where humans are NOT at the top of the food chain. Friendships are forged and love teeters on the horizon while the threat of civil war looms thanks to the girls' very unexpected 'gifts'. Will the girls master these gifts in time to survive a war in which, not only are they the ultimate weapons, but also the ultimate prize?
 

Book two of The BirthRight Trilogy - Awakening - is now available.

 

A note to the potential reader, this book utilizes multiple POV - if you click the 'Look Inside' button over the cover on this page, you can read the sample to see if it's to your liking.

 

This bo! ok has b een re-uploaded on 29/11/11 to include a map and glossary of characters. It has also been fully re-formatted and edited.

“A raw glimpse” (Entertainment Weekly) into her lifelong battle with personal demons and near-fatal addictionsâ€"and reveals the shattering truth behind her complex, secretive, and damaging history with her father, the legendary John Phillips of The Mamas & the Papas.

Not long before her fiftieth birthday, Mackenzie Phillips made headlines with her arrest for drug possession at Los Angeles International Airport; the actor-musician-mother had been on her way to a reunion of One Day at a Time, the hugely popular ’70s sitcom on which she once starred as the lovable rebel Julie Cooper.

Born into rock-and-roll royalty, flying in Learjets to the Virgin Islands at five, making pot brownies with Donovan at eleven, Mackenzie grew up in an all-access kingdom of hippie freedom and heroin cool. As a rising Hollywood star h! erself, she joined the nonstop party in the hedonistic pleasure dome of her father’s making, and a rapt TV audience watched as Julie Cooper wasted away before their eyes. By the time Mackenzie discovered how deep and dark her father’s trip was going, it was too late.

As an adult, she has paid dearly for a lifetime of excess, working tirelessly to reconcile her wonderful, terrible past and the pull of her magnetic father. By sharing her journey toward redemption and peace, the star who turned up High on Arrival has finally come back down to earthâ€"to stay.It's early summer when Ginny and William's peaceful life in Vermont comes to an abrupt halt.

First, their daughter Lillian arrives, with her two children in tow, to escape her crumbling marriage. Next, their son Stephen and his pregnant wife Jane show up for a weekend visit, which extends indefinitely when Jane ends up on bed rest. When their youngest daughter Rachel appears, fleeing her difficult life! in New York, Ginny and William find themselves consumed again! by the chaos of parenthood - only this time around, their children are facing adult problems.

By summer's end, the family gains new ideas of loyalty and responsibility, exposing the challenges of surviving the modern family - and the old adage, once a parent, always a parent, has never rung so true.

Look around: the largest migration in human history is under way. For the first time ever, more people are living in cities than in rural areas. Between 2007 and 2050, the world’s cities will have absorbed 3.1 billion people. Urbanization is the mass movement that will change our world during the twenty-first century, and the “arrival city” is where it is taking place.
 
The arrival city exists on the outskirts of the metropolis, in the slums, or in the suburbs; the American version is New York’s Lower East Side of a century ago or today’s Herndon County, Virginia. These are the places where newcomers try to establish new lives and to integrate themselves soc! ially and economically. Their goal is to build communities, to save and invest, and, hopefully, move out, making room for the next wave of migrants. For some, success is years away; for others, it will never come at all.
 
As vibrant places of exchange, arrival cities have long been indicators of social health. Whether it’s Paris in 1789 or Tehran in 1978, whenever migrant populations are systematically ignored, we should expect violence and extremism. But, as the award-winning journalist Doug Saunders demonstrates, when we make proper investments in our arrival citiesâ€"through transportation, education, security, and citizenshipâ€"a prosperous middle class develops.
 
Saunders takes us on a tour of these vital centers, from Maryland to Shenzhen, from the favelas of Rio to the shantytowns of Mumbai, from Los Angeles to Nairobi. He uncovers the storiesâ€"both inspiring and heartbreakingâ€"of the people who live there, and he shows us how the life or death o! f our arrival cities will determine the shape of our future.10.1" WXGA (1280x800) (LED Capacitive)/NVIDIA Tegra 3/1GB DDR2 RAM/64GB Flash Memory/Android 3.2 (Honeycomb)/802.11BGN/1.2MP Front Camera/8.0MP Rear Camera/Bluetooth 2.1/Up to 12 hours battery/G-Sensor/E-Compass/GPS/Light Sensor/Gyroscope/1YR North American WarrantyPaired for Perfection

Breaking free from the normal constraints of a device through constant innovation, the ASUS Eee Pad Transformer Prime is the perfect example of what a tablet should be. The feature that gives the Eee Pad Transformer Prime its name, the mobile docking station, gives a whole new meaning to the term Paired for Perfection.

The new Eee Pad Transformer Prime is mind-blowingly slim and light weight and with a beautiful metallic spun finished design. In fact, it is the slimmest tablet on the market yet, only 0.33" thin and 1.29lbs light. You can easily carry it with you no matter where you go.

Key Features

• 10.1-inch WXGA Super IPS+ capacitive pressure-sensing multi touch display made with Corning^® Gorilla^® Glass for brilliant HD entertainment and intuitive navigation. 178° viewing angle (1280 x 800)
• Ultra-slim and light (.33" thin and 1.29lbs light) with metallic spun finish design
• Powered by NVIDIA^® Tegra^® 3 Quad-core CPU for excellent multitasking, 1080p HD video output playback and 3D games for SUPERB performance (Learn more)
• 1.2MP front camera and 8MP auto-focus rear camera with flash, back-illuminated CMOS sensor, and large aperture design to cl! early capture every moment. (Learn more)
• Androi d^â„¢ 3.2 Honeycomb (Upgradable to Android^â„¢ 4.0 Ice Cream Sandwich) OS with Adobe^® Flash^® support and over 500,000 downloadable applications on the Android^â„¢ Market.¹ (Learn more)
• Optional Docking station with Full QWERTY keyboard adds additional 6 hours of battery life, to instantly turn the Eee Pad Transformer Prime into PC mode with up to 18 hours of battery life.²

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Performance & Productivity Being the first tablet that is powered by the world's first Quad-core processor NVIDIA® Tegra® 3, the Eee Pad Transformer Prime browses the web and outputs 1080p HD video at blazing speeds. The snappier response time and better multi-tasking performance make the Eee Pad Transformer Prime a true mobile entertainment powerhouse. The feature that gives the Eee Pad Transformer Prime its name, the mobile docking station, gives a whole new meaning to the term versatility. The innovative design not only seamlessly provides the user with a keyboard, touchpad and expandability options, but also increases battery life to 18 hours for all day computing & productivity.2 Stunning Visuals & Sound Equipped with the Super IPS + panel that's protected b! y Corning® Gorilla® Glass with 178° ! ultra-vi ewing angle, the Eee Pad Transformer Prime's screen brightness has also been enhanced to make it easier than ever to read outside in the sun. 8MP rear camera with flash, back-illuminated CMOS sensor and large aperture design ensures that every precious moment is being captured while 1.2MP front camera allows for vivid video conferencing. The Eee Pad Transformer Prime houses an updated audio solution offering sound unheard of from any other tablet, powered by SonicMaster technology, one of the industry's renowned codecs for crisp and acoustically accurate audio.

Connectivity & Expandability Stay connected while you're on the move with the Eee Pad Transformer Prime that comes with MicroSD Card Rea! der, Micro HDMI port and unlimited free web storage space for a year for easy sharing & expandability.2 With Android™ 3.2 Honeycomb (Upgradable to Android™ 4.0 Ice Cream Sandwich) OS with Adobe® Flash® support and over 500,000 downloadable applications on the Android™ Market, entertainment is just a finger swipe away.1 The convenient ASUS Launcher also allows users to launch software, manage content, access online services and connect devices with a few simple taps. MyNet Allows users to easily stream digital media wirelessly within home network devices with the Eee Pad Transformer Prime. Play HD videos or music on any home network devices such as the HDTV monitor or desktop PCs for an even better experience from the Eee Pad Transformer Prime.3 MyLibrary Consolidates downloaded books, magaz! ines and newspapers in to one easy to browse profile that sync! s with G oogle Bookstore and ASUS @Vibe. MyCloud MyCloud is a total cloud solution, providing access to digital content such as music, videos and files from the cloud anywhere, anytime. Users can even use MyCloud to remotely access and control any PC or Mac system and access applications or files to extend the versatility of the Eee Pad Transformer Prime experience.

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Relax, ASUS Has You Covered

Ranked as the #1 most reliable PC brand by 3 independent sources⁴, readers and editors alike choose ASUS as their trusted notebook and netbook. We tirelessly strive t! o exceed expectations of quality to ensure you an unmatched peace of mind every time you turn on your Eee Pad Transformer Prime.

We also back our commitment with the industry's most comprehensive warranty.

• 1 year North America warranty
• Free one-way standard shipping
• 24/7 tech support

What's in the Box

• ASUS EeePad Transformer Prime TF201-C1 Tablet
• User manual
• Power adaptor with USB to 40 pin connector
• Warranty card

Specifications

Display 10.1-inch WXGA Super IPS+ capacitive multi touch display built with Corning® Gorilla® Glass; 1! 78° viewing angle(1280 x 800) Operating Syste! m Android 3.2 Honeycomb Platform (Upgradeable to Android™ 4.0 Ice Cream Sandwich) Chipset NVIDIA® Tegra® 3 mobile processor | with Quad Core CPU Memory 1GB DDR2 Wireless 802.11b/g/n Bluetooth Bluetooth v2.1 + EDR Storage 64GB eMMC Flash Camera 1.2 megapixel (Front); 8.0 Megapixel (Rear) Speakers Built-in Stereo Speakers with SonicMaster Technology

Card Reader Micro SD Card Reader Input / Output 1 x Micro HDMI, 2-in-1 audio jack (head phone/mic-in jack), internal mic Battery Pack 25 W/h Li-polymer battery (up to 12 hours)2 Dimensions 10.35" x 7.12" x 0.33" (W x D x H) Weight 1.29lbs Color Amethyst Gray and Champagne Gold

© 2011 ASUS Computer International. All Rights Reserved. ASUS is a registered trademark of ASUSTeK Computer. All specifications and terms are subject to change without notice. Please check with your supplier for exact offers on selected models. Products may not be available in all markets. Product may not be exactly as shown in photos. All trademarks are registered to their respective companies. ASUS shall not be liable for technical or editorial errors or omissions contained herein.


¹ Upgradable to Android^â„¢ 4.0 Ice Cream Sandwich. Android is a trademark of Google Inc.Adobe^® Flash^® update required from Android Market.
²! Actual battery life varies with usage. Battery life tested un! der powe r saving mode, playing 720p video playback, Brightness: 60nits, default volume with headphones. Operation lifetime subject to product model, normal usage conditions and configurations.
³ Compatible with DLNA Certified devices only.
⁴ Rated number 1 Windows-based PC maker in PCMag.com's Service & Reliability Report 2010. Rated number 1 PC brand according to SquareTrade, the leading direct-to-consumer warranty company (for more information visit http://www.squaretrade.com/pages/laptop-reliability-1109/ ). Rated number 1 reliable PC maker in Q2 2010's RESCUECOM report http://www.rescuecom.com/2010-2nd-Quarter-Computer-Reliability-Report.html.

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ASUS Transformer Portfolio Protect your Eee Pad Transformer with the ASUS Portfolio cover designed to fit the tablet perfectly. The portfolio also has a fold-able cover that turns into a keyboard stand or a reader stand, making it convenient to use your Eee Pad comfortably for hours-on-end.

Eee Pad Transformer Docking Keyboard It is meant to be together. Add a docking keyboard to your Transformer tablet and get up to an amazing 16 hours of battery life. With 2x USB ports, an 4-in-1 card reader, the expansion possibilities are almost limitless. Its full QWERTY keyboard and a row of shortcut keys means you can get what you want done, faster, more efficient.

ASUS Index Sleeve - Black When docked, your Eee Pad Transformer is not just a tablet, it is also a very capable notebook style PC. Don't leave home without a sleeve protecting your Transformer. Check out this water-repellant textured leather sleeve with an soft sued interior.

ASUS Index Sleeve â€" Pink When docked, your Eee Pad Transformer is not just a tablet, it is also a very capable notebook style PC. Don't leave home without a sleeve protecting your Transformer. Check out this water-repellant textured leather sleeve with an soft sued interior.

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Crocodile Dundee in Los Angeles

• Exclusive cast and crew interviews
• Interactive Menus
• Scene Selection
• Widescreen
• Dolby Digital 5.1 Surround

Adventures of Crocodile Dundee as he travels from the Australian outback to Los Angeles for the first time.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 18-SEP-2001
Media Type: DVDHow long has it been since Paul Hogan's grizzled but charming alter ego appeared in a new movie? Well, long enough for the character, Crocodile Dundee, and his American companion, Sue Charleton (Hogan's real-life wife, Linda Kozlowski), to have raised a 9-year-old son, Mikey (Serge Cockburn), in the rough-and-tumble Australian outback that Dundee calls home. As with its two predecessors, however, Crocodile Dundee in Los Angeles is no domestic comedy but a fish-out-of-water comic adventure, this time finding Dundee and his mate! Jacko (Alec Wilson) relocated in balmy Southern California to help journalist Sue investigate a crooked studio executive. The jokes are predictable (L.A. traffic, Hollywood phonies, yoga) but fun, anyway, and there are some celebrity cameos to spice things up. Australian director Simon Wincer, who worked with Hogan on Lightning Jack, is very effective at keeping this light material briskly moving along even if he can't make it any more memorable than it has a right to be. All in all, this is a pleasant but forgettable experience, a far cry from the Capra-esque leanings of Hogan's first screen outing as Crocodile Dundee. --Tom Keogh

Fay Grim

• Fay Grim (Parker Posey) is afraid her son Ned (Liam Aiken) will turn out like his father, Henry, who has been a fugitive for seven years. Fay s brother, Simon, is serving a prison sentence for helping Henry escape the country. Adding to her trials, Fay is approached by a CIA agent (Jeff Goldblum) to help find Henry s missing notebooks in exchange for Simon s freedom. The mission escalates into a g

HENRY FOOL - DVD MovieSimon (James Urbaniak), a shy garbage man, lives with his sister (Parker Posey of Party Girl and Waiting for Guffman, among dozens of other movies) and mother, who both treat him with minimal respect. Into Simon's life comes Henry Fool (Thomas Jay Ryan), a heavy-drinking self-proclaimed great writer who goads Simon into writing an enormous poem. The poem becomes the source of great controversy, proclaimed by some as a great work of art, denounced by others as pe! rverse trash. As Simon's star rises, he tries to draw attention to Henry's work as well, to little avail. Though the premise seems simple, Henry Fool takes on something of an epic sweep as it follows the effects of fame on Simon's and Henry's lives. This rumination on art and inspiration was hailed by some critics as the best film yet by writer-director Hal Hartley (Trust, Simple Men, Amateur), while others felt it brought out his worst self-indulgences. All of Hartley's movies defy easy interpretation, and Henry Fool is no exception. Still, it's a rare film that even tries to tackle such subjects, let alone does so with a combination of intelligence and humor (ranging from verbal quirkiness to scatological embarrassment). Hartley's films, surprisingly enough, feel warmer and more accessible on video; perhaps watching them in one's home makes them seem more intimate and less abstract. --Bret FetzerFAY GRIM - DVD MovieFay Grim is Hal Hartley's version of the espionage thriller. Conseq! uently, it's more peculiar than pulse-pounding, but that's what makes his films appealing--to those who appreciate their off-kilter rhythms, that is. In Hartley's world, dialogue is often delivered with a straight face, no matter how funny the line or farcical the situation. In Fay Grim, he picks up seven years after Henry Fool left off, but this time the writer/director shifts focus from novelist Henry (Thomas Jay Ryan) to his seemingly scattered wife, Fay (Parker Posey). Their son, Ned (Liam Aiken), is now in his teens, but Henry remains at large, and Fay's "garbage man poet" brother, Simon (James Urbaniak), remains in prison for aiding in his escape. Then two CIA operatives, Fulbright (Jeff Goldblum) and Fogg (Leo Fitzpatrick), inform her that Henry is dead, so Fay agrees to track down his complete set of diaries in exchange for Simon's freedom. Apparently, Henry's incoherent ramblings contain state secrets. Joining forces with stewardess Bebe (Elina Löwensohn), Fa! y travels from Queens to Paris to Istanbul to fulfill her mission. In the end, Fay Grim resembles Hartley's noir parody Amateur, which featured Löwensohn, more than Henry Fool. It has less to say about talent and celebrity and more about mystery and intrigue. For the filmmaker, it also represents an opportunity to reunite a strong ensemble and to recover, at least for the time being, from a string of disappointments, like No Such Thing and The Girl From Monday. --Kathleen C. Fennessy

Nation Ltd Women's No Name Ex-Boyfriend T-Shirt, Blackberry, One Size

• 3/4 sleeves
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Oversized scoop neck pocket tee

Laser Disc, Laserdisc of THE GODFATHER PART III with Al Pacino, Diane Keaton, Talia Shire, Andy Garcia, Eli Wallach, Bridget Fonda and George Hamilton.

• Final Director's Cut with additional footage.
• Digital Sound. Dolby Surround Stereo. Rated R. 1990
• 170 minutes. Closed Captioned.
• Special Extended Laserdisc Version.

One of the greatest sagas in movie history continues. In this third film in the epic Corleone trilogy, Al Pacino reprises the role of powerful family leader Michael Corleone. Now in his 60's, Michael is dominated by two passions: freeing his family from crime and finding a suitable successor. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hope of business legitimacy into an inferno of mob violence. Francis Ford Coppola directs Pacino, Garcia, Diane Keaton, Talia Shire, Eli Wallach, Sofia Coppola, Joe Montegna and others in this exciting, long-awaited film that masterfully explores the themes of power, tradition, revenge and love. Seven Academy Aw! ard® nominations for 1990 were the result, including Best Picture.Sixteen years after Francis Ford Coppola won his second Oscar for The Godfather II (his first was for the 1972 Godfather), the director and star Al Pacino attempted to revive the concept one more time. Despite an elaborate plot that involves Michael Corleone seeking redemption through the Vatican while simultaneously preparing his nephew (Andy Garcia) to take over the Corleone family, the film fails to take shape as a truly meaningful experience in the way the preceding movies do. Still, Pacino is very moving as an elder Michael, filled with regret and trying hard to make amends with his wife (Diane Keaton) and grown children (one of whom is played, and not all that well, by the director's daughter, Sofia Coppola). --Tom KeoghSixteen years after Francis Ford Coppola won his second Oscar for The Godfather II (his first was for the 1972 Godfather), the director and star Al Pa! cino attempted to revive the concept one more time. Despite an! elabora te plot that involves Michael Corleone seeking redemption through the Vatican while simultaneously preparing his nephew (Andy Garcia) to take over the Corleone family, the film fails to take shape as a truly meaningful experience in the way the preceding movies do. Still, Pacino is very moving as an elder Michael, filled with regret and trying hard to make amends with his wife (Diane Keaton) and grown children (one of whom is played, and not all that well, by the director's daughter, Sofia Coppola). --Tom KeoghSixteen years after Francis Ford Coppola won his second Oscar for The Godfather II (his first was for the 1972 Godfather), the director and star Al Pacino attempted to revive the concept one more time. Despite an elaborate plot that involves Michael Corleone seeking redemption through the Vatican while simultaneously preparing his nephew (Andy Garcia) to take over the Corleone family, the film fails to take shape as a truly meaningful experience in! the way the preceding movies do. Still, Pacino is very moving as an elder Michael, filled with regret and trying hard to make amends with his wife (Diane Keaton) and grown children (one of whom is played, and not all that well, by the director's daughter, Sofia Coppola). --Tom KeoghThe Godfather saga may have its roots in pulp fiction, but the vision of director Francis Ford Coppola turned the story of Don Vito Corleone into an epic, multigenerational metaphor for modern American society and its place in the world. Coppola's musical choices were equally sage; aged Italian scoring legend Nino Rota's mournful solo trumpet theme ("Godfather Waltz") would become both a crucial, emotional link in all three films and an enduring modern icon on a par with the themes to Star Wars and Jaws.

This compendium gathers key themes from the Godfather trilogy in modern rerecordings, by conductor Paul Bateman and the Prague Philharmonic, that are soni! cally pristine and faithful to the originals. Utilizing the ri! ch music al heritage of his native Italy (and occasionally evoking memories of his great collaborations with Fellini), Rota's Godfather music would ultimately net him his only Oscar^®, for Godfather II. Carmine Coppola, the director's father, supplements Rota's work with music that's more distinctly ethnic, while the prelude from Italian classical composer Pietro Mascagani's masterful opera Cavalleria Rusticana becomes a crucial element in Godfather III, filling the void left by Rota's passing in 1979. --Jerry McCulleyAl Pacino reprises the role of powerful family leader Michael Corleone.

Jackie Chan's First Strike

• 1999 - New Line - DVD - Jackie Chan's First Strike
• Jackie Chan, Jackson Lou, Chen Chun Wu
• PG-13 - Widescreen & Standard Versions
• 85 Minutes - Bonus Features - Multiple Languages
• Collectible

Reach fell, and when hope seemed lost, humanity stood face-to-face with the possible extinction of all life in the galaxy and lived to tell the tale.

But that was just one epic battle, and the war rages on . . .

The Covenant shows no mercy as they continue to assault every human world they can find, but in their way lies humanity’s great champion, Spartan-117, the Master Chief.  Together with his AI companion Cortana and the last remaining Spartans, the fight continues on two fronts.

One takes a crew of Spartans to the charred surface of Reach, the only planet they’ve ever known as home.  But beneath the surface, Dr. Halse! y has discovered an ancient secret…one that could alter the course of the war.  

Meanwhile, Master Chief and Cortana head towards a gathering of Covenant warships because the UNSC’s worst nightmare has come true:  the Covenant has discovered the location of Earth and is forming a massive fleet to destroy it…and all who oppose the will of the Prophets.  

After saving the President’s life in the Middle East, the Chance family is invited to a banquet at the White House. Teen twins Rich and Jade are ready to relax, but even in the safest house in the United States, they can’t avoid danger: a radical American group takes the West Wing hostage to steal the U.S.’s nuclear launch codes and attack China. It’s a race through the halls of the White House as Rich and Jade fight to keep the President and the launch codes hidden from the terrorists.

Higgins’ action-packed adventure series featuring two regular teens comes to a close in this exh! ilarating thriller. Set in Washington D.C., the fast-paced nar! rative g ives readers a captivating behind-thescenes glimpse into America’s capital.In post-soviet Russia nothing is as it seems. When members of the Russian mafia pose as KGB agents to steal a nuclear missile the CIA calls on martial arts master Jackie Chan to stop them. Jackie treks the globe from the icy glaciers of the Ukraine to the pristine beaches of Australia. Studio: New Line Home Video Release Date: 02/03/2004 Starring: Jackie Chan Jackson Lou Run time: 85 minutes Rating: PG13 Director: Stanley TongAction-god Jackie Chan does his best James Bond impression with this ecstatic sequel to the classic Supercop. The bare-bones plot has Chan in pursuit of international terrorists, but the narrative quickly gives way to an unceasing barrage of insane stunt work (including a nitro-fueled ski chase and a grandiose fight scene set inside a functioning shark tank). As with most of the aging star's recent films, there is more of an emphasis placed on big, impersonal (albe! it impressive) stunts rather than the close-up combat that made him famous; but the end result is still a must-see rush for longtime fans, and a great introduction for newcomers eager to see what all the well-deserved fuss is about. The scene where Jackie takes on multiple goons while armed only with a ladder is one of his most jaw-dropping set pieces ever--and that's saying quite a lot. Be sure to stick around for the closing credits of gags gone awry, which graphically prove that Chan is truly the hardest working man in show business. --Andrew Wright