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From The Hangover director Todd Phillips,
Due Date throws two unlikely companions together on a road trip that turns out to be as life-changing as it is outrageous. Expectant first-time father Peter Highman (Robert Downey Jr.) looks forward to his new child’s due date five days away. As Peter hurries to catch a flight home from Atlanta to be at his wife’s side for the birth, his best intentions go completely awry when an encounter with aspiring actor Ethan Tremblay (Zach Galifianakis) forces Peter to hitch a ride with Ethan on a cross-country trip that will ultimately destroy several cars, many friendships and Peter’s last nerve.
Due Date is such a broad comedy, it needs the width of the whole United States in which to play out. Directo! r Todd Phillips (
The Hangover) lets the gross-out comedic charms of his frequent star Zach Galifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too.
Due Date is like
Planes, Trains and Automobiles meets
Nine Months with a little of
The Odd Couple thrown in. The writing of
Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But
Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, who's a version of every character Galifianakis has played to date--slovenly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of hi! s first child than to hitch a ride with Ethan. If the situatio! n is som ewhat predictable, the comedic moments are not--though by halfway though the trip, viewers may wonder if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --
A.T. HurleyFrom
The Hangover director Todd Phillips,
Due Date throws two unlikely companions together on a road trip that turns out to be as life-changing as it is outrageous. Expectant first-time father Peter Highman (Robert Downey Jr.) looks forward to his new child’s due date five days away. As Peter hurries to catch a flight home from Atlanta to be at his wife’s side for the birth, his best intentions go completely awry when an encounter with aspiring actor Ethan Tremblay (Zach ! Galifianakis) forces Peter to hitch a ride with Ethan on a cross-country trip that will ultimately destroy several cars, many friendships and Peter’s last nerve.
Due Date is such a broad comedy, it needs the width of the whole United States in which to play out. Director Todd Phillips (
The Hangover) lets the gross-out comedic charms of his frequent star Zach Galifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too.
Due Date is like
Planes, Trains and Automobiles meets
Nine Months with a little of
The Odd Couple thrown in. The writing of
Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But
Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, w! ho's a version of every character Galifianakis has played to d! ate--slo venly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of his first child than to hitch a ride with Ethan. If the situation is somewhat predictable, the comedic moments are not--though by halfway though the trip, viewers may wonder if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --
A.T. HurleyDue Date is such a broad comedy, it needs the width of the whole United States in which to play out. Director Todd Phillips (
The Hangover) lets the gross-out comedic charms of his frequent star Zach Ga! lifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too.
Due Date is like
Planes, Trains and Automobiles meets
Nine Months with a little of
The Odd Couple thrown in. The writing of
Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But
Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, who's a version of every character Galifianakis has played to date--slovenly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of his first child than to hitch a ride with Ethan. If the situation is somewhat predictable, the comedic! moments are not--though by halfway though the trip, viewers m! ay wonde r if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --
A.T. HurleyMovie Summary A first time expectant father has an adventurous trip with an aspiring actor while travelling cross country to be with his expecting wife. DVD Details * Actor(s): Robert Jr. Downey * Format: Widescreen * Soundtrack: English * Additional: Additional Footage Behind the Scenes Include Digital Copy * Rating: R * MSRP: $35.99 * Release Date: 2 22 2011 * Number of Discs: 2Holly (Katherine Heigl) is an up-and-coming caterer and Messer (Josh Duhamel) is a promising network sports director. After a disastrous first date, all they have is common is their dislike for each other and th! eir love for their goddaughter Sophie. But when they suddenly become all Sophie has in this world, Holly and Messer must set their differences aside. Judging career ambitions and competing social calendars, they’ll have to find common ground while living under the same roof. Josh Lucas, Christina Hendricks, Hayes MacArthur and Jean Smart co-star in this tart and tender romantic comedy directed by Greg Berlanti (TV’s
Brothers & Sisters and
Everwood). In
Life as We Know It, Katherine Heigl and Josh Duhamel discover that their closest friends have appointed them guardians of their child in the unlikely event of their joint death--an unlikely event that has just happened. Make no mistake: There's no reason this movie should have been any good. The premise is the worst kind of formulaic Hollywood claptrap; the pleasant but cautious Heigl (
Knocked Up) is playing yet another uptight fussbudget; since a promising movie debut in the underrated
Win! a Date with Tad Hamilton!, Duhamel has largely coasted on! his loo ks in tripe like the
Transformers movies--yet
Life as We Know It is surprisingly likable. After the movie gets through the basic exposition--and navigates some radical shifts in tone with unexpected deftness--the script somehow manages to make its clichés into something resembling real human situations. The colorful supporting characters are all entertainingly written and well played by a solid cast. And both Heigl and Duhamel give understated, engaging performances that manage to make the inevitable conclusion seem almost not inevitable. Director Greg Berlanti (
The Broken Hearts Club) deserves kudos for skillfully balancing humor and pathos and turning this unpromising material into a sincere and enjoyable movie.
--Bret Fetzer“A smart, funny and original treat,†Michael O'Sullivan, The Washington Post, DreamWorks Animation’s Megamind puts a whole new hilarious twist on the superhero movie.
Super villain Megamind's (Will Ferrell) dre! ams have come true when he conquers the city's protector Metro Man (Brad Pitt) gaining control of Metro City. But when a new villain (Jonah Hill) is created and chaos runs rampant, the world's biggest "mind" and his comic sidekick Minion (David Cross) might actually save the day. With an all-star cast - including Tina Fey - and amazing animation, Megamind is packed with high-flying action and non-stop laughs. Villainy is a way of life, but if a villain doesn't have a hero to battle, can he still expect the same sense of satisfaction from his evil deeds? When Megamind (Will Ferrell) finally defeats his long-time nemesis Metro Man (Brad Pitt), he ecstatically goes about laying ruin to Metro City, reveling in the fact that he can now have anything he wants. Surprisingly, Megamind's glee quickly turns to dissatisfaction as he realizes that the battle was half the fun and everything comes too easy now. Thus begins a plot to turn the nerdy Hal (Jonah Hill) into Tighten, a new ! hero for Megamind to battle. What Megamind doesn't count on is! that Ti ghten may not turn out to be as good as he's meant to be. Nor does he anticipate falling in love with his old rival's girl Roxanne Ritchi (Tina Fey). In the end, Megamind finds he must rethink his assumptions about good, bad, and what makes him happy. Megamind and Despicable Me are remarkably similar movies: both deal with villains who are unfulfilled by their evil ways and who, despite their despicable natures, have some essential goodness deep down inside. Both villains are presented in highly stylized animation and the 3-D effects in each film are skillful and effective without being overdone. Megamind has Minion, who watches over him, while Gru has a whole crew of mindless minions supporting his evil ventures. Finally, both films are solidly entertaining. Because the two films were released within a few months of one another, speculation about who copied who will no doubt run rampant, but the bottom line is that both films are well worth seeing. (Ages 7 and! older) --Tami HoriuchiA las vegas-set comedy centered around three groomsmen who lose their about-to-be-wed buddy during their drunken misadventures then must retrace their steps in order to find him. Studio: Warner Home Video Release Date: 12/15/2009 Starring: Bradley Cooper Heather Graham Run time: 100 minutes Rating: RIf you like your humor broadside up, hold the subtlety, you'll want to nurse this Hangover with your best buds. The ensemble cast meshes perfectly--it's like a super-R-rated episode of Friends: silly, slapstick, and completely in the viewer's face. When four pals go to Vegas to celebrate the imminent nuptials of one of them, they partake in a rooftop toast to "a night we'll never forget." But they're in for a big surprise: their celebration drinks were laced with date-rape drugs, so when they awake in their hotel room 12 hours later, not only are they hung over, but they can't remember what they did all night long. Oh, and they're! missing the groom-to-be.
The film is so cheerfully raunchy! , so fie rcely crude, that the humor becomes as intoxicating as the mind-altering substances. The standout in the ensemble is Zach Galifianakis, who is alternately creepy and hilarious. Ed Helm (The Office), in addition to his memory, loses a tooth in uncomfortably realistic fashion, and Bradley Cooper (He's Just Not That into You) has deadpan comic timing that whips along at the speed of light. "Ma'am, you have an incredible rack," he blares to a pedestrian from the squad car the guys have "borrowed." "I should have been a [bleeping] cop," he tells himself approvingly.
Director Todd Phillips brings back his deft handling of the actors and the dude humor that worked so well in Old School, as well as the unctuous Dan Finnerty, memorable as a lounge/wedding singer in both films. But it's the nonstop volley of jokes--most cheerily politically incorrect--that grabs the audience and thrashes it around the hotel room. Just watch out for the tiger in the bathroom. --A.T. Hurley
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