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Tim Roth (Planet of the Apes) and Renee Zellweger (Bridget Jones's Diary) star in this riveting psychological thriller with shocking twists, "sharp dialogue and a cynical intelligence" (Chicago Tribune). Also starring Chris Penn, Michael Rooker, Ellen Burstyn and Rosanna Arquette and charged with unbridled suspense and powerful performances, this "absorbingly crafty murder mystery" (Entertainment Weekly) delves into the murky depths of truth and deception and delivers a stunning final scene that will jolt your spine with chills! James Wayland (Roth) is nota typical murder suspect: he's fabulously wealthy, a Princeton graduate and has a geni! us-level I.Q.But Detectives Braxton (Chris Penn) and Kennesaw (Michael Rooker) sense that there's more than meets the eye when they interrogate him for the brutal killing of a beautiful call girl (Zellweger). As their search for the truth takes a suddenly dangerous turn, Braxton and Kennesaw realize that Wayland is a master manipulator, cleverly using their darkest secrets against them in a lethal, winner-take-all game that ignites a powder keg of deadly motives and shocking revelations.Interrogations, mind games, and murder: Jonas and Josh Pate’s post-modern thriller may be the bastard child of Reservoir Dogs and The Usual Suspects, but this devious offspring charts its own unpredictable course. Tim Roth dominates the film as the epileptic, absinthe-drinking, genius murder suspect who plays the lie detector like a violin and turns the tables on the cops (dim bulb Chris Penn and simmering veteran Michael Rooker) by stirring up their secrets, and they’ve go! t some doozies. The twisty little mystery is too clever for it! s own go od, and the Pates neglect to stitch together the loose threads (like what exactly Ellen Burstyn’s raspy bookie is doing in all this), but they have a great eye and style to spare. The chilly stare and cool disposition of Roth’s borderline psychotic makes this battle of wits a game well worth watching. --Sean Axmaker"One of the best long-running SF series in existence" (Publishers Weekly) continues with the second novel in a brand-new Foreigner sequence.

The civil war among the alien Atevi has ended. Tabini-aiji, powerful ruler of the Western Association, along with Cajeiri, his son and heir, has returned to the Bujavid, his seat of power. But factions that remain loyal to the opposition are still present, and the danger these rebels pose is far from over.Deceiver is quite a departure from the blistering instrumental bluegrass-esque leanings he cut his teeth on as a mandolin wunderkind. Deceiver also takes a bold, new route awa! y from his subsequent solo work that featured his jazz/classical/progressive acoustic-style. In fact, Deceiver is the first Thile solo project to feature vocals, and only includes two instrumentals (palette cleansers). This album, exploring a rock direction, is the logical next step in the maturation of an artist who clearly heeds no boundaries and knows no limitations.The civil war among the alien Atevi has ended and Tabini-aiji, the ruler of the Western Association, has returned to power. Bren Cameron, Tabini's human paidhi, decides to return to his recovered home on the coast, but when Tabini's son Cajeiri, desperate for adventure, flees his responsibilities to join Bren, Tabini sends the boy's great-grandmother to find him.

Even though the war is over, the opposition is still present, and a district once thought to be safe could now be a trap. With Bren, Cajeiri, and his great-grandmother under one roof...a trap is baited.

The civil war amo! ng the alien Atevi has ended and Tabini-aiji, the ruler! of the Western Association, has returned to power. Bren Cameron, Tabini's human paidhi, decides to return to his recovered home on the coast, but when Tabini's son Cajeiri, desperate for adventure, flees his responsibilities to join Bren, Tabini sends the boy's great-grandmother to find him.

Even though the war is over, the opposition is still present, and a district once thought to be safe could now be a trap. With Bren, Cajeiri, and his great-grandmother under one roof...a trap is baited.

It's the '60s. The Vietnam War is raging. And Danny Devlin and Elliot Crane are out to dodge the draft. What are two straight boys to do? Claim they're gay, of course! Danny and Elliot have no intention of giving up their heterosexual lifestyles... that is, until suspicious Colonel Dixon starts spying on them. To throw him off the trail, Danny and Elliot move into an all-gay L.A. apartment complex, where their lives are turned upside down! The pair hilariously tries to pul! l off the deception, despite surprise visits from parents and girlfriends and a flamboyantly gay landlord who pops in at the most inopportune times. Among the best of the sixties gay-themed films, this nearly lost comedy remains relevant today, raising many important social issues with grace, compassion and wit.Appearing before a panel of his peers, long-time field agent Sam McCready, known for an independent style that often drives him beyond the rules, must defend his unorthodox exploits or face termination. Reprint. NYT. K. Shakespeare Deceiver Spinning Reel

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